Monday, May 05, 2008

A Birthday Tribute To Orson Welles With 10 Welles Wannabes

“I’m not very fond of movies. I don’t go to them much.”
- Orson Welles

Tomorrow is Orson Welles’ birthday (May 6th, 1915). Since he died of a heart attack hunched over his typewriter in Los Angeles in 1985 his legend has grown immensely. The accolade “cinematic genius” as well as sayings like “larger than life” feel like they were coined for him. 

CITIZEN KANE still tops critics' lists, including mine, of the greatest movies ever and the rest of his fascinating filmography (what's available, that is) is both passionately studied by scholars and enjoyed by movie-lovers by the millions. Along with his birthday there are also a few notable anniversaries this year to pay tribute to - the classic thriller TOUCH OF EVIL turned 50 a few weeks back (it was released on April 23rd, 1958), his magnificent MACBETH hits 60 (Oct 1st, 1948), and this Halloween will be the 70th anniversary of the famous War Of The Worlds broadcast (Oct. 31st, 1938) that put Welles's name on the media map.

Since, as the saying goes, imitation is the sincerest form of flattery I thought it would be fun to look at Orson Welles as played by others. Many films and television shows - both live action and animated, have had actors portray the mighty moviemaker. IMDb even lists a separate page: Orson Welles (Character). Some of course pull off the impression better than others but they are all amusing attempts to capture the offbeat charm of one of the most well known figures of the 20th Century. So let's take a look at the men who would be KANE:

10 Orson Welles Wannabes

1. & 2. Maurice LaMarche & Vincent D'Onofrio - Why am I listing 1 & 2 together? Because LaMarche and D'Onofrio have both played Welles more than once and one time they played him together!

LaMarche, a gifted mimic, has provided his pitch perfect approximation of Welles' voice to The Simpsons, The Critic, and his character of the Brain on the cult favorite cartoon Pinky And The Brain is heavily based on Welles.

D'Onofrio who has a striking resemblence to Welles also played him in the short film FIVE MINUTES, MR. WELLES but in Tim Burton's 1994 tribute to the twisted filmmaker ED WOOD, D'Onofrio appears with LaMarche's voice dubbed in - that's right it took two people to play Orson Welles.

Tempting to make a fat joke here but I'll let it go. Ed Wood (Johnny Depp) spies Welles sitting at a table in a bar nursing a cocktail, smoking a cigar, and working on pages of a screenplay. Wood introduces himself to Welles and shares his movie production frustrations with Welles who sympathizes offering: “I'm supposed to do a thriller at Universal, but they want Charlton Heston to play a Mexican. It's a good line but highly inaccurate - Heston insisted on Welles directing the project which was TOUCH OF EVIL but this doesn't marr the scene.

Wood's meeting with Welles is relevatory to the aspiring director - the light of inspiration that glows in his face when Welles tells him: “Ed, visions are worth fighting for, why spend your life making somebody else's dreams? is a nice touching effect. 

Burton pulls off a bit of movie magic - for a brief instance we have Welles back and it's the young robust Welles not the bloated wine swigging caricature that most people think of when his name is dropped. Watch the scene on YouTube.


3. Angus Macfadyen in CRADLE WILL ROCK (1999)

Far from as convincing as D'Onofrio & LaMarche, MacFadyen does have plenty of Welles's theatrical flair as he moves like a storm through Tim Robbins' romantised re-creation of the world of the theater in 1930's New York.

Based on the true story of a troubled production for the Federal Theater Project, Welles with the aid of John Houseman (more accurately portrayed by Cary Elwes) he fights to get the play of the title staged. 

Macfadyen does at key moments have the right Wellesian swagger though as Roger Ebert, a huge Welles scholar himself, wrote “Welles comes across as an obnoxious and often drunken genius in a performance by Macfadyen that doesn't look or sound much like the familiar original.” 

Very true and also Macfadyen is too Scottish for the part too. Still though in the context of Robbins' fine film he somehow makes his Welles work.


4. Liev Schreiber in
RKO 281 
(1991)


This a bit of stretch but a tasty one. This telefilm made for HBO tells the story of the making and aftermath of CITIZEN KANE. Schreiber is in way over his head for the role and the facts are fumbled with ferociously. Still, the talented Schrieber does a fair impression of Welles speaking voice though only when imitating his soft spoken tones. RKO 281 (named after KANE's studio issued working title) is so littered with annoying inaccuracies and cheesy cliches that Welles expert (and longtime friend) Peter Bogdanovich said that it "was poorly acted by just about everybody" and that It had about as much connection to the Orson Welles I knew as the man in the moon. Ouch! Okay, let's move on...

  5. John Candy on Second City TV (1976-1979) - Of course the obvious reason that Candy was cast as the later day Welles in many SCTV sketches is his ginormous girth. He didn't really look like him facially and his voice doesn't quite sound like him but the material was funny and Candy could definitely bring the battered bombast. Check out this clip of Candy as Welles in a bit based on a tape of Welles recording a British frozen-peas audio advertisement (which you can listen to here). 

6. Eric Purcell in MALICE IN WONDERLAND - I haven't seen this TV movie from 1985 about the gossip columnists Louella Parsons and Hedda Hopper played respectively by Elizabeth Taylor and Jane Alexander. Obviously I can't judge Purcell's performance - nor can I find any info about it online but I'm including it here because the film has Tim Robbins as Joseph Cotten! Maybe it's just me but that sounds like pretty juicy casting. Anybody out there seen it?

7. Danny Huston in FADE TO BLACK (2006)

Another I haven't seen but did locate the trailer. Judging from the preview Huston doesn't really seem to have the Welles vibe going. That's only based on 1 minute 46 seconds of footage mind you. From one of only a few reviews that are online of this British production set in Rome, Xan Brooks of the Guardian U.K. writes:

The role of one great director falls to Danny Huston, the son of another, who comes weaving through the action with his theatrical bearing and disreputable air, a cigar between his teeth and his pockets rattling with slimming pills; every inch the faded Hollywood idol.

Sounds like it may be worth a viewing - that is if it were available on NetFlix.

8. Paul Shenar in THE NIGHT THAT PANICKED AMERICA (1975) I saw this TV movie years ago and I do recall that Shenar did a pretty decent job of mimicing the master. He should also get props for being the first actor on film to play Welles. Dramatising the historic War Of The Worlds broadcast inside and out this sadly isn't available on DVD but I hear that it pops up on TV from time to time. That's good 'cause I'd love to see it again. 

9. Christian McKay in the upcoming ME AND ORSON WELLES - Richard Linklater's next film (set for 2009) like CRADLE WILL ROCK depicts the theatrics both onstage and off of Orson's literally go-for-broke 1930's lifestyle.

McKay has portrayed Welles on stage and the word is that he has got the delusion of grandeur goods. Of McKay's performance in the Broadway production of “Rosebud: The Lives Of Orson Welles” 

The Daily Telegraph wrote: “Christian McKay plays this celluloid colossus to perfection… anticipating the many facets of Welles’ personality that then sparkle through the show… The stories are so fantastical and various that Rosebud would mesmerise someone unacquainted with his work as much as a film buff. The arc of his career, from overachieving wunderkind to an overweight clown who endorsed frozen peas in television commercials, has the simplicity of classical tragedy and makes for compelling theatre.” Since Linklater is one of my favorite current directors and Orson is a ongoing obsession for me I'll be really looking forward to this one. 

10. Jean Guérin in HEAVENLY CREATURES (1994) - It's been a while since I've seen this movie and to be honest I don't remember Guérin as Welles in it. He makes the list because he also played Welles in LA VENGEANCE DE LA FEMME EN NOIR (1997) - another film I haven't seen and can find very little info on. Sigh. 

There you go - 10 Orson Welles impersonators. It should be noted that Linklater's film isn't the only Orson related activity on the horizon. Reportedly Peter Bogdanovich is looking to finish work on one of Welles last films - THE OTHER SIDE OF THE WIND. The excellent site Wellesnet has this insightful article about the project

That's all for now - Happy Birthday Welles wherever you are! 


Such a great if compromised career - from Martians to the Muppets! Hope you're grandly laughing it up at the great moviehouse in the sky. 

More later...

Sunday, May 04, 2008

IRON MAN = AWESOME And Some Other Random Babbling

IRON MAN (Dir. Jon Favreau, 2008)


Now, you ordinarily wouldn't think of Robert Downey Jr. as an action movie star - particularly a comic book hero-type, right?

And you you wouldn't think of Jon Favreau (MADE, ELF) as an action movie director, would you?

What about Gynneth Paltrow as a girl-next-door-type sweetie that is obviously overlooked by our hero or even the idea of Terrence Howard as the black-guy best friend? Hold on, how about Jeff Bridges (the Dude, man!) as the villain?

Sounds all pretty improbable as far as Summer blockbuster premises goes, huh? Well, IRON MAN throws all those folk and a bunch of seamless CGI craft into the mix and it all, and I mean every single bit of it, works.

And remember this is coming from a guy who is not a big fan of the big ass comic book action genre. Robert Downey Jr. is Tony Stark - a billionaire industrialist famous for creating nuclear weaponry and every kind of arms used in the war on terror. He gets captured by terrorists after a demonstration in Afghanistan and is forced to build them a version of his powerful “Jericho missile.”

Instead, with the help of a fellow prisoner - Dr. Yinsen (Shaun Toub), he constructs an elaborate but crude suit of armour which he uses to escape from captivity. Back in the States he announces that his company will no longer manufacture weapons to the intense displeasure of Obadiah Stane (Jeff Bridges). In a funny series of scenes Stark works on a new suit with better technology, more firepower, and a cooler looking shininess that, yeah, is a pretty sweet design.

Stark's best friend Colonel Rhodes (Terrence Howard) finds out about his suit in the middle of a killer sequence involving his return to Afghanistan to destroy the terrorist gang's weapon stockpile. Stark's assistant, and of course possible love interest, Pepper Pots (Gywneth Paltrow) suspects something is up and gets caught up in his major mechanical antics of which I will speak no further.


IRONMAN is a blast - the right amount of humor, the precise assembling of a neat narrative, and a great cast. As I'm sure every review will label Robert Downey Jr. an “unlikely hero” but he is perfect in the part - slickly engaged and slyly sarcastic, he plays all the right notes.

A bald bearded Bridges is dead on too in a role that's not just un-Dude it's incredibly non-TRON! Going in I was not at all familliar with the comic book it's based on but a friend who I attended with filled me in a bit concluding that the movie is fairly faithful to its source.

Obviously that didn't matter because it stands alone as a superior formula super hero movie. I usually use the word “formula” as a criticism but here its a good solid thing. Favreau has surprisingly done a excellent job with the tried and true framework and its his best film by far.

IRONMAN indeed transcends the summer blockbuster film form but more importantly - it's a lot of fun.

Some Random Babbling:

MovieZeal wrapped up their excellent April Coen Brothers Blog-A-Thon (though with their banner displaying a different cool Coen Bros. screen capture it seems like it's still going on. It's well worth your while with a stable panel of great film bloggers contributing reviews of all their movies, articles about the Brothers, and a very well compiled The Top 10 Most Memorable Coen Brothers Scenes.

I wrote Part II of my Musings on the Coens' Music which I hope you check out. I recently joined The Large Association of Movie Blogs - I'm LAMB #82!

Please visit and sample some of the other movie blogs. LAMB lists a lot of good ones so click away. I also took part in a survey for Buck On Film. It's a column in Academia - an online magazine and resource for academic librarians. It was about “what are the Oscars to you?” Please visit that too.

Okay, well more summer movies are coming and the birthday of a long gone legendary actor/director is to be celebrated when Film Babble Blog returns so please stay tuned.


More later...

Friday, May 02, 2008

A Marvellous Minimalist Movie Before The Blockbuster Bombast Begins

As you well know we are on the verge of the Summer blockbuster season. We've got IRONMAN, INDIANA JONES, BATMAN, SPEED RACER, and many many more multi-million dollar platters to contend with so it seems apt to have a small scale appetizer of an independent human interest story to snack on beforehand: 


THE VISITOR (Dir. Thomas McCarthy, 2008)



Richard Jenkins, best known as Nathan Fisher Sr. - the father on Six Feet Under, finally gets a leading role in this quietly compelling movie.

After tons of movie and TV roles in which he perfected a weathered hangdog demeanor, Jenkins wears his character in THE VISITOR like an old comfortable suit.

Being that his character is a familiar one - a widowed college professor toiling for years on an unfinished book, isolated from social life and going through the motions in severe need of a wake-up call.

Yes, it's a ‘wake up and realize you're alive’ movie like ABOUT SCHMIDT (or even HOW STELLA GOT HER GROOVE BACK) and a good one at that with its lack of flash and abundance of grace. 

Jenkins returns to his little used in apartment in New York City to find 2 illegal immigrants (Haaz Sleiman and Danai Jekesai Gurira) living there. Realizing they had been rent-scammed they pack up to leave but Jenkins allows them to stay. He forms a friendship with Sleiman who teaches him to play the bongos. 

Scenes showing a business-suited Jenkins and the paisley attired Sleiman drumming away in the park are particularly smile inducing. The good times are short lived as Sleiman is arrested and detained with deportation imminent. Jenkins does what he can to help his new friend and in the process courts Sleiman's mother (played wonderfully by Hiam Abbass). 

Writer/Director Thomas McCarthy's first film THE STATION AGENT was a pleasing personable picture and THE VISITOR is a fine follow-up. So subtle that it may leave some movie-goers with a “with just happened?” feeling but I believe most will savor its subtle charms. Jenkins' measured performance lingers and the straight-forward framework is refreshing in these days of quick-cuts and contrived narrative gimmicks. 

“Please step away from the glass” Jenkins is frustratingly told repeatedly by a immigration station desk jockey in a sober 3rd act scene, and it's a chilling moment; the sad reality of how people are tragically separated for purposeless political reasons inhales all the air of the room and leaves our protagonist on the verge of existential limbo. 

Finding one's own rhythm - to maybe the beat of a different drummer as the expression goes, is the only way back into the human race. There among the beats, both inner and outer, can be found a sense of soul and way of life that Jenkins learns shouldn't just be visited. 

More later...