Showing posts with label Spaceballs. Show all posts
Showing posts with label Spaceballs. Show all posts

Tuesday, December 22, 2020

Actors You Recognize, But Don’t Know Their Names: Stephen Tobolowsky


Y
ou most likely know Tobolowsky as the overly excited insurance agent Ned Ryerson who obnoxiously accosts Bill Murray’s Phil Connors in the 1993 comedy classic GROUNDHOG DAY, but the man has literally hundreds of movie and TV credits to his name so I bet you’ve seen him in something else. Tobolowsky’s most notable film roles include mostly supporting roles in THELMA & LOUISE, THE PHILADELPHIA EXPERIMENT, BASIC INSTINCT, SNEAKERS, THE INSIDER, MEMENTO, THE GRIFTERS, MISSISSIPPI BURNING, GARFIELD, GREAT BALLS OF FIRE, LOVE LIZA, WILD HOGS (okay, maybe not so notable), and was the focus of the 2005 documentary STEPHEN TOBOLOWSKY’S BIRTHDAY PARTY among countless other movie parts (meaning I’m too lazy to count them).

He was even in SPACEBALLS! 


Television-wise, he has appeared in a wide range of comic and dramatic parts which includes guest shots on Designing Woman, Silicon Valley, Seinfeld, Cagney & Lacey, Chicago Hope, Buffy the Vampire Slayer, Deadwood, Mad About You, Roswell, King of the Hill, Curb Your Enthusiasm, a few different CSIs, a few different Law & Orders, Entourage, The West Wing, Heroes, Glee, The Mindy Project, and even a new recurring role on the Cartoon Network cult favorite Archer. 


Tobolowsky has also authored three books (The Dangerous Animals Club, Cautionary Tales, and My Adventures With God), wrote the play turned film, TWO IDIOTS IN HOLLYWOOD, co-wrote with David Byrne one of my favorite films, TRUE STORIES, and hosts the podcast The Tobolowsky Files, which is pretty damn funny.

But this all only skates the surface of Tobolowky’s career because, like he warned Murray’s character about the puddle in GROUNDHOG DAY, “It’s a doozy!”

More later...

Wednesday, November 30, 2016

Film Babble Blog's Top 10 Favorite Cinematic Sight Gags



Back in the day, I used to post listicles (before they were called listicles) of movie tropes that I would attempt to amusingly connect to break up the flow of review after review. So with the upcoming glut of year-end releases plus the stress of the holiday season coming (not to mention the craziness of the post election season we're going through) I thought I’d rekindle that idea and do something silly – list my top 10 favorite movie sight gags.

The following are what I consider 
meme-worthy screen shots from the obvious suspects: Monty Python, Zucker brothers, Mel Brooks, super hero movies, etc, They’re the engrained images, mostly from my childhood, that always make me laugh when I think of them. So here goes:

1. The shit hits the fan in AIRPLANE!

(Dirs. David & Jerry Zucker, Jim Abrahams, 1980)


Almost every other shot in the line of movie spoofs made by the Zucker brothers (David & Jerry) and Jim Abrahams is a sight gag – some brilliant; some idiotic. The one that most appeals to me is an absurdly literal visual joke from their classic disaster film satire AIRPLANE! that involves Ted Striker (Robert Hays), who’s been called in to land Boeing 707 (Trans American Flight 209) after the pilots have been taken ill. Striker: “The oil pressure, I forgot to check the oil pressure. When Kramer hears about this, the shit's gonna hit the fan.” The film then cuts to a shot of actual shit hitting a fan in the airport control room. Hey, I warned you above that there would be stupidity.

2. Clark Kent can't find an old school phone booth in SUPERMAN: THE MOVIE (Dir. Richard Donner, 1978)


As an eight-year old kid, I remember the laughter from the audience being really big when Clark Kent (Christopher Reeve) was first called into action in the first big screen Superman movie and found that the walk-in phone booths of the past, that he regularly used to change into his suit in the comics, were largely non-existent. Reeves’ expression at this realization of modern times is priceless.

3. The town sign for Plotpointburg in MUPPETS MOST WANTED (Dir. James Bobin, 2014)


Sure, MUPPETS MOST WANTED isn’t the best of Muppets movies, but it’s far from the worst, and this meta gag about how their European-set adventure, the latest in the cinematic series that was rebooted by Bobbins and Jason Segel in 2011, was adhering to a tried and true formula, got the biggest laugh of any of the jokes in their 2014 follow-up.

4. Sherrif Justice's restroom faux pas in SMOKEY & THE BANDIT (Dir. Hal Needham, 1977) 


The second biggest grossing movie of 1977 (STAR WARS was the biggest – duh!) had its share of dumb visual jokes, but this one which had Sherrif Buford T. Justice (Jackie Gleason) leaving the men’s room at a truckstop with a line of toilet-paper following him out the door really made me giggle as a kid. According to Wikipedia, Burt Reynolds said that it was Gleason’s “idea to have the toilet paper coming out of his pantleg” in the scene. I may just have to agree with writer Tyler Coates, who said in his Decider post about seeing the film for the first time, that the shot may be “the greatest toilet-paper sight gag in the history of motion pictures.”

5. A 23rd century McDonald's in SLEEPER (Dir. Woody Allen, 1973)


Many of Woody Allen’s movies have sight gags, especially his “early funny ones,” but this particular one has stayed with me as it’s a really outdated, but still funny joke. In the film, which concerns Allen’s Miles Monroe, a nebbish NY neorotic (duh!) waking up 200 years in the future, our protagonist walks by a 23rd Century McDonald’s that has a sign boasting “Over 795,000,000,000,000,000,000,000,000,000,000,000,000,000,000,000,000,000" Served.”

In the IMDb trivia section for SLEEPER, it is noted that “if translated into American numeration this value would be Seven Hundred, Ninety-five sexdecillion," a value with 51 zeroes. By comparison, Avogadro's Number, 6023E23 (or 6.023^23), or "mole," is a value normally used to count atoms or molecules, and, incidentally, thought to be about the number of grains of sand on all the beaches on earth, give or take a couple orders of magnitude. The value of 795 sexdecillion is very nearly a mole of moles.”

As McDonald’s was a somewhat seemingly new fad of a fast food chain in the early ‘70s, you can see why Allen made this joke. Though these days, it seems like a hell of an under-estimate.

6. Combing the desert in SPACEBALLS (Dir. Mel Brooks, 1987)


Another Jewish comedian turned ‘70s comedy star, Mel Brooks, also had many sight gags in his films. In the late ‘80s, Brooks’ schtick was pretty played out, but that didn’t stop him from making a spoof of the STAR WARS films and modern movie sci-fi in general called SPACEBALLS. One of its most memorable involved Rick Moranis’ Darth Vader spoof Dark Helmet ordering his troops to “comb the desert” for the missing Princess Vespa, and, of course, they do just that.

Maybe a funnier sight gag in SPACEBALLS was in the film’s few minutes, in which there was a parody of the opening of the original STAR WARS’ long, continous shot of a ginormous starship. That one, isn’t as well captured in a gif though.

7. The Black Knight's limb loss in MONTY PYTHON AND THE HOLY GRAIL (Dirs. Terry Gilliam & Terry Jones, 1975)


More ‘70s sight gag funniness comes from the iconic British comedy group Monty Python, whose films are full of them. I’ll go with this one from their 1975 classic MONTY PYTHON AND THE HOLY GRAIL, in which a black knight gets both his arms chopped off yet afterwards still continues fighting. The blood gushing was a new thing for a comedy film in that era (Dan Aykroyd's Julia Childs SNL bit around that same time  hit the same vein - sorry), so this was as groundbreaking as it was hilarious.

As a runner-up, I’ll go with this shot from MONTY PYTHON’S LIFE OF BRIAN which happens after Brian (Graham Chapman) has been up all night following a strict Roman Centurion’s (John Cleese) orders (again with the literal following of orders) to paint “Romani ite domum,” which means “Romans go home,” a hundred times all over the Roman Palace’s walls:



8. Steve Martin cleans his gun in DEAD MEN DON’T WEAR PLAID
(Dir. Carl Reiner, 1981)

Okay, so either the ‘70s-‘80s is the glorious age of cinematic sight gags or I’m just old and that’s the era that I most identify with, but I have to go with either this Steve Martin should be comedy classic’s shot of Martin’s detective character Rigby Reardon cleaning his handgun in a sink with a bottle brush, or the tie shot that has him shaving his tongue. How either of these really satire the world of Humphrey Bogart-era gumshoe film noir is debatable, but I still find both damn funny.


9. TIE: THE SIMPSONS MOVIE (Dir. David Silverman, 2007) & AUSTIN POWERS: INTERNATIONAL MAN OF MYSTERY (Dir. Jay Roach, 1997)





Both of these films feature sight gags involving the obscuring of the male member. I don’t feel I need to explain any more than that.


10. Brick Tamland's reaction to his dismembered TV image in ANCHORMAN: THE LEGEND OF RON BURGANDY (Dir. Adam McKay, 2004)


Although Will Ferrell's big deal newscaster Ron Burgandy could be seen as a walking sight gag (as could just about every character he's ever played), it’s Steve Carrell’s character in the 2004 '70s news spoof, Brick Tamland, freaking out because his green pants made his legs disappear on a weather green screen that makes the cut here.

Okay! So what are your favorite sight gags? Let me, and other readers, know in the comments below.

More later...

Sunday, November 08, 2009

A SERIOUS MAN: The Film Babble Blog Review


A SERIOUS MAN (Dirs. Joel & Ethan Coen, 2009)



"No Jews were harmed in the making of this motion picture." - End credit disclaimer. 

In the 25 years since they first burst on the indie movie scene with the stellar BLOOD SIMPLE, the Coen Brothers have hit many cinematic curveballs into the woodwork of their films. Those being character or tangents (or both) that appear not to fit initially into their understood premises and leave us scratching our heads to their purpose in the grand scheme of things. 

Examples include: Mike Yanagita (Steve Park) -the high-school classmate of Marge Gunderson (Frances McDormand) who oddly appears at an pivotal point in FARGO, the pedophile bowling rival Jesus Quintana (John Turturro) who steals a good 5 minutes of THE BIG LEBOWSKI, and Ed Crane's (Billy Bob Thornton) UFO dream in THE MAN WHO WASN'T THERE. As perplexing as these seemingly ersatz elements are, they are often the most memorable moments of their movies. Imagine if they concocted an entire film out of such scenes. 

A SERIOUS MAN isn't quite that concoction, but it comes pretty damn close with its unproven paradoxes, character threads that aren't followed through, and fake-out dream sequences. On the surface it's about the trials and tribulations of Minnesotan physics professor Larry Gobnik (Michael Stuhlbarg) in the late 60's. Beneath the surface it's about religion, betrayal, academia, Jewish suffering, and a futile search for meaning - I think. When the opening couplet of Jefferson Airplane's "Somebody To Love" (a driving force throughout the movie) is recited by a Rabbi as if it's an ancient prayer, you can be sure that what this film is about exactly is going to be up for debate for a long time.


Gobnik is surrounded by headaches - his wife (Sari Lennick) wants a divorce, his schlebbish but possibly brilliant brother (Richard Kind) sleeps on his couch, his daughter (Jessica McManus) is stealing from his wallet for a nose job, his son (Aaron Wolff) is stealing from her for marijuana, and his tenure may be threatened by a series of slanderous anonymous letters that his school's committee keeps receiving. 

There's also a thick headed racist gun-toting neighbor (Peter Breitmayer) and a Korean student (David Kang) who attempts to bribe Gobnik for a passing grade. In a confrontation over that particular no-win situation the student's father tells Gobnik to "accept the mystery." 

Obviously that's what the Coen Brothers are telling us too. Here's hoping movie goers got their A-list fill with their previous outing BURN AFTER READING because there are very few recognizable names here. Folks will likely know Richard Kind and Adam Arkin (as a somewhat sympathetic lawyer) from various television roles, but the cast is mostly fresh and unknown with Stuhlbarg's pitch perfect exasperated everyman standing out in the starring role. 

 As one of the Rabbis that Gobnik seeks solace from, George Wyner (also familiar from TV as well as turns in fan favorites SPACEBALLS and FLETCH) owns one of the best scenes in the film (an instant classic in the Coens canon BTW) relaying a story about a dentist who is shocked to find Hebrew engravings on the back of a non-Jewish patient's teeth. Gobnik's son Danny's (Wolff) bar mitzvah is another notable highlight. 

While his father struggles with existential discord, Danny's biggest concerns are out-running a bully he owes money and getting the best possible TV signal so he can watch F Troop. As seen through Danny's stoned eyes, the paranoia pulsating through his coming of age ceremony is pleasingly palpable.

 

There is quite a bit of humor in A SERIOUS MAN but it's not laugh out loud funny, it's more like inward cringing giggle funny. It has been called the Coen Brother's most personal film as the suburban tract housing world it creates is reportedly identical to the one of their childhood as are the overriding rites of a traditional Jewish upbringing but it rarely comes off auto-biographical. Gobnik and his family's fates are literally about to be twisting in the wind as we leave them and while that's of little comfort - for some reason it made me smile. 

One day maybe I'll be able to say exactly why. 

More later...