Showing posts with label Shrek. Show all posts
Showing posts with label Shrek. Show all posts

Tuesday, June 01, 2010

The Suckiest Movie Summer Ever?


You may have noticed that this blog hasn't reviewed several of the major summer releases such as ROBIN HOOD, SHREK FOREVER AFTER, SEX AND THE CITY 2, and PRINCE OF PERSIA: THE SANDS OF TIME


That's because I haven't been able to build up enough interest to see those movies. I don't like to judge films before I see them, but this summer's crop appears to be one of the most questionable array of films ever lined up for a supposed event season. The reviews for the films I mentioned above have been extremely mixed with SEX AND THE CITY 2 particularly taking a beating - one critic (Kyle Smith, New York Post) hilariously called it "Bitchtar" - so I haven't felt so far like I'm missing much. 


I don't consider myself a snob about mainstream multiplex movies. I enjoyed IRON MAN 2 and thought MACGRUBER had a fair share of laughs in it, but I can't seem to get excited about the others, nor upcoming films like MARMADUKE, SPLICE, JONAH HEX, KILLERS, or KNIGHT AND DAY. Likewise the remakes or re-boots or re-whatever's - THE A-TEAM, THE KARATE KID, and PREDATORS (Wow! With SPLICE that's 2 Adrien Brody wannabe blockbusters - that's rare). 


It's a tried and true tradition, of course, that the summer is filled with expensive mindless spectacle aimed at teenagers, and film buffs will have to wade through it to get to the fall which will be full of prestige Oscar bait. It just feels like this summer is much harder going than usual. The only thing that would make it worse is if there was another lackluster PIRATES OF THE CARIBBEAN sequel, but don't worry I'm sure that's what I'll be bitching about next summer. 


August is usually when some more interesting releases get dumped. In previous years great movies such as SUPERBAD, TROPIC THUNDER, and INGLOURIOUS BASTERDS have made the end of the summer a better place than the beginning, and this year Edgar Wright's SCOTT PILGRIM VS. THE WORLD looks like it could fit the bill. 


Until then there's the possibility that Pixar could pull us through with TOY STORY 3 and Universal's DESPICABLE ME also could be animation salvation. I'm sure that there are some other gems hiding in between the weekly bombast of dreck so I'm keeping my eyes open. 


I'm also open to suggestions so if you've got any - lay 'em on me. To answer this post's title question: It's too early to really tell and I'm pretty sure there have been suckier summers - 2002 comes to mind - but this one sure looks to be shaping up as a contender. 


C'mon something, anything - Christopher Nolan's INCEPTION maybe - surprise me! Post note: There are a few smaller films (read: independent and Foreign) that I'm looking forward to - Todd Solonz's LIFE DURING WARTIME and Jean-Pierre Jeunet's MICMACS. Check back for reviews of those. 


More later...

Thursday, May 06, 2004

Another Summer Of Sequels & Remakes


“I don't take the movies seriously, and anyone who does is in for a headache.” - Bette Davis 

SEQUEL SEASON IS IN SESSION!



This summer no less than 80% of all releases are sequels to successes of summer’s past. Here’s some of the most notable: 

SPIDER-MAN 2 (Dir. Sam Raimi) Here's hoping that this sequel lives up to the promise of its kick-ass trailer.

SHREK 2 (Dirs. Andrew Adamson, Kelly Asbury, & Conrad Vernon) Don't have hopes as high for this one.

THE PRINCESS DIARIES 2: ROYAL ENGAGEMENT (Dir. Gary Marshall) Yep, the world was dying for this one. 

BEFORE SUNSET (Dir. Richard Linklater) 


My Spidey-sense is tingling that this follow-up to BEFORE SUNRISE that re-unites Linklater with stars Ethan Hawke and Julia Delphy from the much loved 1995 indie might be the most worthwhile sequel of the summer. 

THE BOURNE SUPREMACY (Dir. Paul Greengrass) Apparently the BOURNE IDENTITY wasn't just one of the biggest box office hits of 2002, it was the most rented movie of 2003. So here's a sequel.

HARRY POTTER AND THE PRISONER OF AZKABAN (Dir. Alfonso CuarĂ³n)


AVP: ALIEN VS. THE PREDATOR (Dir. Paul W.S. Anderson)

EXORCIST : THE BEGINNING (Dir. Renny Harlin)

Most of the 20% of the remaining releases this summer are remakes of cult classics. The cream of the crop:

THE STEPFORD WIVES (Dir. Frank Oz)

THE MANCHURIAN CANDIDATE (Dir. Jonathan Demme) Denzel Washington and Meryl Streep do their best to answer the question - remake the perfect classic - why? Doubt they'll have a convincing answer.

SOUL PLANE (Dir. Jessy Terrero ): AIRPLANE! with black people, that's the pitch. Seriously. Snoop Dog stars.

More later...