Showing posts with label Seinfeld. Show all posts
Showing posts with label Seinfeld. Show all posts

Friday, July 16, 2021

Actors You Recognize, But Don't Know Their Names: Walter Olkewicz


D
uring an epic re-watch of Twin Peaks, I noticed an actor I’ve seen in countless TV shows and movies, but never took note of his name. As Walter Olkewicz has appeared in a sick amount of projects, it’s time to right that wrong.

I bet you’ve seen this lovable lug – maybe in such shows as the aforementioned Twin Peaks or possibly The Rockford Files, Taxi, Barney Miller, Alice, Family Ties, The Love Boat, Wizards and Warriors, Cheers, Newhart, The A-Team, Night Court, Matlock, Who’s the Boss, Murder She Wrote, and…let’s just say every program that aired in the ‘80s. Oh yeah, he also was on Dolly Parton’s one season variety series, Dolly! I totally forgot that existed.


In the ‘90s he honed his surly and sarcastic (but still lovable) persona on Seinfeld, was a semi-regular on Grace Under Fire, and appeared on ER, Dharma & Greg, Sliders, Chicago Hope, and voiced a character named Falcone on a couple of episodes of Batman: The Animated Series.

Movie-wise, he’s acted in 1941, JIMMY THE KID, MAKING THE GRADE, THE CLIENT, STUART SAVES HIS FAMILY, THE BIG PICTURE, LAST DAYS (not the quasi Kurt Cobain flick), MEETING DADDY, and…okay, so his filmography isn’t as impressive as his television work, but it’s still pretty extensive.


This entry also sadly also serves as an obituary as Olkewicz passed away last April at the age of 72. He left behind quite a legacy that will live on as long as there are reruns that make folks remark “Hey, it’s that guy.” I doubt most people will learn his name, but, hey, I’ve done my part.

Stay tuned for more in the Actors You Recognize But Don’t Know Their Names series.

More later...

Friday, April 24, 2020

When TV Characters Become Movie Critics: Part 1

  

I have long been amused when a character in a television show gives their opinion about a popular movie – sometimes while the film is still playing in theaters. In many cases, the criticisms echo those of many people in the audience, which helps to blur the line between fantasy and reality. 

On the NBC sitcom, Community, Annie (Alison Brie) gives her study group friend Abed (Danny Pudi) DVDs of three of the Indiana Jones movies because, as both say in unity, “The fourth one blows!” This is a sentiment that both holds consensus in the show’s world, and the real one’s - especially the online community. 

Community (now streaming on Netflix) was full of such moments in which pat put downs of many movies were offered (see Den of Geek’s The 68 Movie References in Community), and the same goes for such shows as The Simpsons, Big Bang Theory, Rick & Morty, and countless other pop culture-minded programs. 

But here I wanted to look at the shows that have character’s point of views on certain movies come up more organically – for the most part. 


The first such moment of movie appraisal that I remember noting was from the late ‘70s to early ‘80s soap opera satire, Soap. In an episode towards the end of the first season (airdate: March 14, 1978), a character named Flo Flotsky, played by television veteran Doris Roberts, perhaps best known for her role as Ray Romano’s mother in the CBS sitcom Everyone Loves Raymond, deflects from her son, Father Tim Flotsky (sal Viscuso), telling her he’s fallen in love with Corine (Diana Conova) by spouting out her critique of the massively popular space epic that was still reigning at the box office when the episode aired:

Flo Flotsky: “Y’know I finally saw that ‘Star Wars’ movie they’re all ravin’ about. I dunno. In my day if they had a leading man it was Clark Gable. Today they got a little machine that goes ‘boop.’ I mean, frankly, I could have stayed home and looked at my upright vacuum cleaner.”


Later, another shot at a mega movie hit, happened during the last season of the NBC show Seinfeld (a mega hit itself) that was broadcast on March 19, 1998. Like STAR WARS, TITANIC was still in theaters when this exchange took place:

George Costanza (Jason Alexander): “I saw ‘Titanic.’ So that old woman, she’s just a liar, right?”

Jerry (Jerry Seinfeld): “And a bit of a tramp if you ask me.”

In the episode “The Rat Pack” from The Sopranos’ fifth season (broadcast: March 14, 2005), most of the female contingent of the cast gather for a Film Club night in which they watch Orson Welles’ CITIZEN KANE. Carmela (Edie Falco) hosts the screening, which takes place in the family’s swanky viewing room, and even reads aloud from Leonard Maltin’s review of the film from one of his yearly guides before it begins.

After they watch the film, the reactions from Carmela and her fellow mob wife group members are priceless:

Adriana (Drea de Matteo): “So it was a sled, huh? He should’ve told somebody.”

Gabriella Dante (Maureen Van Zandt): “I think it’s fascinating that man had all that stuff, but he died alone with nothing and nobody.”

Carmela: “Good. Prick.”

Rosalie Aprile (Sharon Angela): “I hated it. ‘You supply the war, I’ll supply the headlines.’ How conceited.”

Following these comments, the ladies run out of things to say except to briefly compliment the cinematography (“That was very good”) so they fall back into their regular gossiping. The show never reveals whether they have another Film Club, but my guess would be that it was a one-time thing. 


While The Office US (2005-2013) regularly highlighted the absurd, insensitive, and just plain wrong utterances of its protagonist Michael Scott (Steve Carrell), every now and then the character would say something that was actually on point. One such moment was when he shared his thoughts on the fourth entry in the DIE HARD franchise (LIVE FREE AND DIE HARD): 

Michael: “You know what, here’s the thing about ‘Die Hard 4.’ ‘Die Hard 1,’ the original, John McClane was just this normal guy. You know, he’s just a normal New York City cop, who gets his feet cut, and gets beat up. But he’s an everyday guy. In ‘Die Hard 4,’ he is jumping a motorcycle into a helicopter. In air. You know? He’s invincible. It just sort of lost what ‘Die Hard’ was. It’s not ‘Terminator.’” 

Following this, one of his co-workers says “Dude, you should review movies.” Yeah, maybe he should. 


Finally, there’s this conversation from The Handmaid
s Tale (“Womens Work, June 6, 2018) between June (Elizabeth Moss) and Janine (Madeline Brewer) about childbirth: 

Janine: “You’ll probably get to the cool part soon - the baby’s foot pushes out of your stomach, like in ‘Alien.’ (laughs) Charlotte used to do that all the time. (awkward pause) You haven’t seen ‘Alien’?” 

June: “I just thought the sequel was better.” 

These are just several instances of TV characters giving us film critiques, I know there are hundreds, and as the Part 1 implies I
ll be posting more, so if you know of any please place them in the comments below or email them me via the address above on the right. 

So I’ll leave you now with this quote from Seinfeld, where the STAR TREK movies frequently came up. Jerry on STAR TREK II: THE WRATH OF KHAN: “Well, it was the best of those movies.” 

I completely agree. 

More later…

Tuesday, September 11, 2012

James Cameron's Populist Classic TITANIC Now Out On Blu ray


Having not seen it since its release in 1997, I had forgotten how damn long TITANIC is. I mean it’s an hour and forty minutes into James Cameron’s enormous money-making machine of a movie, which releases this week on Blu ray, before the ship even hits that infamous iceberg! 


Until then we have to wade through a set-up in which the historical background competes with the lame Leonardo Dicaprio/Kate Winslet love story, and that can be really tough going. 

Especially when the dialogue heavily appears to pander to teenage girls; take for instance this bit of Gloria Stuart’s (as the elder version of Winslet’s character) narration in the present-day wraparound: “It was a ship of dreams…to everyone else. To me it was a slave-ship, taking me back to America in chains. Outwardly, I was everything a well brought up girl should be. Inside, I was screaming.”

But the impressive scale of the film, happily obscures much of that ickiness. 


The almost full-scale replication of the ship makes for an astounding set, and there are many sweeping shots that show it off nicely. The history lesson embedded in the narrative also distracts from the sappy cheesiness of the star-crossed lovers scenario, but we all know that that scenario was what made the movie such a huge hit.

The Blu ray transfer looks fantastic, bringing out the shiny cinematography of Russell Carpenter which is undoubtedly his best work - though for a resume that includes SHALLOW HAL, MONSTER IN LAW, and a couple of Katherine Heigl films, that’s not saying much. I did find myself thinking that the lighting during the end scenes was unrealistic for the situation, but that's one of those things you can let slide with the ole 'eh - it's a movie' excuse.

Only a real cynic would deny that the “disaster related peril” (per the PG-13 disclaimer) that dominates the second half of “Titanic” - i.e. the ship sinking - is pretty spectacular stuff. It’s in those bombarding chaotic sequences that the film is able to truly bring together its themes of class divide, and depictions of the best and worst of humanity.

On an 1998 episode of Seinfeld that aired a few months after the release of TITANIC, George Constanza (Jason Alexander) tells Jerry that he just saw the movie and asks: “So that old woman...she’s just a liar, right?”

That nails what’s one of the most unsatisfying and frustrating aspects of the film: Why did that old woman throw the diamond, the “Heart of the Ocean” into the ocean at the end? Felt like a stupid selfish choice after Bill Paxton and his crew flew her to their Titanic-stationed salvage ship, and heard her tell her long detailed story, in hopes of finding that precious artifact, and she secretly discards the diamond when she’s finished. WTF?

Paxton tells the old lady’s granddaughter (Suzy Amis, who probably has 3-4 lines tops) that after three years of thinking of nothing but Titanic, he never really “got” it before. Well, that’s good because he’s sure not getting that diamond.

This new spiffy Blu ray of TITANIC, which follows the film’s 3D theatrical re-release, contains two and a half hours of new special features, in addition to the four hours that were previously available on DVD, so if you can’t get enough of TITANIC you are in for a treat. The bonus material includes 30 deleted scenes, 60 featurettes, and something called “Titanic: The Final Word With James Cameron,” that I bet isn’t his final word.

Interestingly, this week also brings the release of Bob Dylan’s 35th studio album, “Tempest,” which just happens to have an almost 14-minute track about the 1912 Titanic sinking. Dylan references the movie, name-drops DiCaprio, and describes the disaster in time to the Celtic country flavoring of his backing band.

Obviously, one hundred years later, folks are still making a fuss about the Titanic tragedy. Cameron uber successfully made the event into an event movie, that brought about years of backlash, but must be regarded as a populist classic. 

I'm sure Film buffs will still scoff at it, even when appreciating the excellent visuals of this exquisite new Blu ray edition, but I bet even they will admit that it’s much more preferable to our current TWILIGHT times, at least in the realm of teen romance epic wannabes.

More later...

Sunday, March 21, 2004

Film Babble Blog's Listomania!



Man, whatta movie season: Mel Gibson’s Jesus complex is causing a stir, LORD OF THE RINGS: RETURN OF THE KING became the first fantasy film best picture Oscar winner, and government research has just determined that videocassettes are going to go the way of the dinosaur - in 5 years tapes will no longer will manufactured on a global scale.

Well, I have to say this is a good thing - I mean them bulky boxes of plastic parts and spools of sticky brown tape from the ‘80s are no match for the shiny sexy digital disc of today.

Let’s not get all sentimental about those old tapes like that box in your closet full of Seinfeld episodes or movies taped off Cinemax in 1992. Let’s embrace the obviously better picture and sound of DVDs with some lists!

First up, 10 RECOMMENDED CURRENT RELEASE DVDs:


01. AMERICAN SPLENDOR 02. RUSSIAN ARK 
03. BARTLEBY 
04. SUICIDE CLUB 
05. DUMMY 
06. LOST IN TRANSLATION 
07. A MIGHTY WIND 
08. MELVIN GOES TO DINNER 
09. PARTY MONSTER 
10. SCHOOL OF ROCK 

5 RECOMMENDED CURRENT RELEASE DOCUMENTARY DVDS:

01. CAPTURING THE FRIEDMANS 
02. A DECADE UNDER THE INFLUENCE 
03. THE KID STAYS IN THE PICTURE 
04. WINGED MIGRATION 
05. STONE READER
06. THE CORPORATION
07. FOG OF WAR
08. THE YES MEN
09. FESTIVAL EXPRESS
10. OVERNIGHT

10 RECOMMENDED CURRENT RE-RELEASE SPECIAL EDITION DVDS: 

01. BLOW OUT (1967) 
02. ESCAPE FROM NEW YORK (1981) 
03. JFK (1991) 
04. DAY FOR NIGHT (1974) 
05. ALIEN QUADRILOGY (1979-1997)

10 CURRENT DVDS THAT AREN’T RECOMMENDED:

01. CAT IN THE HAT 
02. IDENTITY 
03. LIFE OF DAVID GALE 
04. HOLLYWOOD HOMICIDE 
05. THE HEAD OF STATE 
06. THE HULK 
07. BRUCE ALMIGHTY 
08. COLD CREEK MANOR 
09. CONFIDENCE 
10. Tie: THE IN-LAWS / IT RUNS IN THE FAMILY (Michael Douglas double feature from Hell!) 

5 RECOMMENDED TV-SERIES DVDS:

01. The Sopranos (HBO, 1999-present) 
02. Six Feet Under (HBO, 2001-PRESENT) 
03. The Office (BBC, 2001-PRESENT) 
04. 24 (2002): First season only!!!! 
05. Mr. Show (1995-1998)

More later...