Showing posts with label Sicko. Show all posts
Showing posts with label Sicko. Show all posts

Tuesday, February 26, 2013

Plainspoken Health Care Doc ESCAPE FIRE Releases Today On DVD

(Dirs. Matthew Heineman & Susan Frömke) *




The national debate over health care can get absurdly heated, but Matthew Heineman and Susan Frömke’s documentary, ESCAPE FIRE: THE FIGHT TO RESCUE AMERICAN HEALTHCARE, is a cool, calm and collected inquiry into what has been called by many a badly broken system.

The refreshingly bipartisan (meaning there’s no mention of Obamacare) film takes its title and premise from a method, illustrated by an opening sequence featuring stuntmen and real firemen, of creating an escape route from an approaching wildfire by starting another fire.

Therefore, an “escape fire” is a solution to a life-threatening problem.

After engrossingly detailing the issues, Heineman and Frömke’s thorough thesis gives us those escape fires, those viable solutions, that we didn’t get from such previous docs as SiCKO, Michael Moore’s informative but biased 2007 documentary diatribe about health care.

Actually, maybe they’re just strong-sounding suggestions, concerning lifestyle choices and alternate medical treatments, but when American health care costs are getting up to more than $3 trillion annually, the film makers’ incredibly convincing case – via a sobering array of facts, statistics and compelling anecdotal evidence – that we need to change the conversation is seriously worth considering.

One of the most affecting threads throughout the film is the story of Sgt. Robert Yates, an infantryman who returns home from Afghanistan, depressed, disturbed, and addicted to so many different prescription pills that his attending medics have trouble sorting them out.

Yates, who describes himself as a “redneck, South Louisiana boy, just an ole hillbilly,” admits to being skeptical of Eastern medicine, but is admirably able to kick his addiction by giving healing processes such as acupuncture, meditation and yoga a shot.

In segments titled “A National Dependency,” and “The Dark Matter of Medicine,” the billion-dollar industry of pharmaceuticals is criticized by industry experts such as integrative medicine proponent (and frequent talk-show regular) Dr. Andrew Weil, noted physician Dr. Dean Ornish, medical journalist Shannon Brownlee and Dr. Steven Nissen, Cleveland Clinic chairman of cardiovascular medicine, who complains that half the commercials on the networks are for pharmaceutical agents.

“The ads always end with the same phrase: ‘Ask your doctor,’ and people do,” Dr. Nissen explains, “and doctors wanting to please their patients will often prescribe it.”

This concept is most troubling in the case, explored in the doc, of a massively marketed drug named Avandia, that in 2006 was the No. 1 selling diabetes drug in the world. Information was withheld that Avandia increased the risk of heart attack by 30 percent, and FDA restrictions were implemented, but it took several years for it to be withdrawn from drugstore shelves.

Mind you, ESCAPE FIRE isn’t against all pharmaceutical drugs; it’s just reasonably concerned with how we’ve become a quick-fix culture that too often disregards the root of ailments.

It’s that kind of thinking that, in another affecting thread, causes primary care physician Dr. Erin Martin to quit her Dalles, Oregon clinic position, because she felt demoralized being paid for the quantity of patients she could see in an hour. Martin goes on to work at Dr. Andrew Weil’s University of Arizona Center for Integrative Medicine, where she can take more time to treat individual patients.

Though mostly thankfully devoid of flashy techniques like pop-song punctuation and “gotcha” journalism, there are some overly familiar touches like ominous music (provided by techno-pop master Moby) embellishing sinister shots of Washington, D.C., and the inevitable “act now” website plug at the end.

Also a downside of this doc is that it deals with a lot of information most folks will already know, as in “we get it – America is the most obese country.”

However, those embellishments don’t hinder the film’s touching optimism and noble notion that a less high-tech, more high-touch world of healing could exist.

Summing up the film’s guiding goal, former Head of Medicare / Medicaid Dr. Don Berwick says, “I don’t blame anybody, they’re just doing what makes sense, and we have to change what makes sense.”

In its plainspoken matter-of-fact moments like that, ESCAPE FIRE makes the most sense.


Special Features: Audio commentary with Directors Susan Frömke and Matthew Heineman, deleted/extended scenes, and the following featurettes: “The Making of ‘Escape Fire’,” “Sgt. Yates: A Year Later,” and “Sundance World Premiere.”

* This review originally appeared in the October 25th, 2012 edition of the Raleigh News & Observer.

More later...

Sunday, October 04, 2009

CAPITALISM: A LOVE STORY: The Film Babble Blog Review

CAPITALISM: A LOVE STORY (Dir. Michael Moore, 2009) This time out filmmaker/muckraker Michael Moore brings his tried and trusty methods (idyllic 50's stock footage, Baby Boomer-era hit songs, a megaphone, stern evil unemotional old white men, and bringing it all back home to Flint, Michigan) to the financial crises of the last few years. "There's gotta be some kind of a rebellion between the people that have nothing and the people that's got it all" says Randy Hacker as he and his family are getting evicted from his home early in the film and it's impossible not to get emotional. Trouble is as much as my eyes teared up, they rolled more at Moore's antiquated antics throughout the movie. "This is capitalism - a system of taking and giving, mostly taking." Moore's voice-over tells us as he sets up his thesis. He darts around from heartfelt salt of the Earth stories to scolding exposés of corporate practices like "dead peasant insurance" which has companies profiting from employee's deaths. This is all almost entirely aimed at the banking system - Moore even at one point unrolls a long strip of yellow police tape around the entrances of the towers in Wall Street's banking district. It's a crime scene you see? Yeah, you get it. I've long thought Moore was fighting the good fight with his heart in the right place, however here he's again preaching to the choir and will doubtfully earn many new converts with this piece of pop doc polemic. There was a smattering of applause at the end at the theater I saw this film in but the folks who would go to an art theater to see a Michael Moore movie these days are certainly already on his side. A number of effective points and a definite worthwhile discussion can be provoked by Moore's material but his shtick of accosting security guards and senators (as well as dubbing stock footage for his purposes) has gotten beyond old at this late date. Of course, just a discussion among likeminded folks is not what Moore wants. He wants that full on rebellion that Hacker spoke of above just like he wanted FAHRENHEIT 9/11 to deny George W. Bush another Presidential term (it didn't) and SiCKO to help change the U.S. Health Care situation (it hasn't). (Possible Spoiler! Wait, can there really be a spoiler in a film like this?) Moore makes this plea at the very end of the film: "You know I can't do this anymore - unless those of you who are watching this in the theater want to join me. I hope you will, and please speed it up." Well, I just have to say: good luck with that! More later...

Friday, September 26, 2008

Moore Is Way Less This Time Out - Free Download Notwithstanding.


SLACKER UPRISING (Dir. Michael Moore, 2008)




“Stream it, download it, burn it now. It’s the first time a major feature-length film is being released for free on the internet. You can be part of this historic moment by logging on now!” – Michael Moore (from an email you’ll get when you sign up for the free download of SLACKER UPRISING).

Watching this new documentary sure doesn’t feel like I’m taking part in an historic moment. It’s a self indulgent infomercial centering on Moore’s tour of colleges in battleground states in the last weeks of the 2004 Bush Vs. Kerry election.

Since we all know how that turned out this is supposed to show Moore and fellow liberal Democrats’ failed but noble attempts as inspirational grass roots measures to encourage voters for the current campaign. It doesn’t quite come off that way though as despite some background to the swiftboating of Kerry, and touching testimonials from the families of soldiers in Iraq (as well as some by soldiers themselves), this mainly shows what Moore credits as “a cast of millions” screaming and applauding him on stage like a rock star over and over as he does his usual shtick.

You know the routine - Bush lied, the war is corrupt, get out and vote, etc. which is all fine but he covered it better, of course, in FAHRENHEIT 9/11 which this film ought to be just a bonus feature on a future Special Edition DVD of.

That’s not to say there aren’t good bits though and not coincidentely they don’t contain Moore’s visage but instead showcase the music on the tour. Steve Earle passionately plays “Rich Man’s War" to a rapt audience, Joan Baez does an acapella version of “Finlandia” and Eddie Vedder, who considers Moore one of “the wonders of the Patriot Act; Michael is a patriot who acts”, does an invigorated solo acoustic version of Cat Steven’s "Don’t Be Shy." *

There is also R.E.M., Tom Morello (of Rage Against the Machine), and singer songwriter Robert Orrall doing his catchy crowd pleaser “Al Gore Lives On My Street”. It’s Moore’s show though and it is commendable that he spends some time dealing with his detractors. Bush supporting students (in small numbers) come to his rallies and even try to get him barred from speaking but Moore has the mike and can yell down any opponent. 

To examine the valid criticisms and anger of the anti-Michael Moore population would have made the movie worthwhile but we just get the same slogans that by now even the choir is tired of.

* This appears to be what inspired Moore to use Steven's original version (written for HAROLD AND MAUDE) as the end credits music for SiCKO.


Shortly after the results of the 2004 election were in a headline in the satirical newspaper the Onion said it best: “Poll: Youth Totally Meant To Vote In Record Numbers”. This sums up whats wrong and ultimately very depressing about this exercise. 

This film would only be vital and necessary if the Slacker Uprising strategy worked. Instead we see 99 minutes of a man drunk on his own applause. Patting himself on the back and believing his own hype even when it turns out to be drastically ineffective. 

It is encouraging that polls are showing that more folks may be getting out and voting in what is likely the most severely important Presidential race in my lifetime but a film like this is hardly going to matter in the grand scheme. 

SLACKER UPRISING is for Michael Moore completists only (if there are such people) and it should have remained with its original title “Captain Mike Across America” as a sideline film, like I said before, only added as an extra on a future DVD re-release. It seems though, as smart and savvy as he is, that he knows this hence its asking price. Yep, that’s right - at least it’s free.

Postnote #1: Actually it’s not completely free - just the download for American and Canadians. DVDs are being sold for $9.95 at Moore’s website.

Postnote #2: For a worthwhile look at criticisms from Moore detractors check out Rick Caine & Debbie Melnyk’s MANUFACTURING DISSENT (Reviewed here November 13th, 2007)

More later...