New Releases On Blu Ray & DVD: 8/20/13

I didn’t see Chris Wedge’s animated fantasy flick EPIC when it was released theatrically less than three months ago, but since it's one of the top 10 biggest box office flops of 2013 so far, I bet you didn’t either. Well, here it is out today on home video in three editions: a Blu-ray 3D Combo Pack (3 discs, includes DVD, Digital Copy & Digital HD), a 2-disc Blu ray (includes DVD + Digital Copy), and a single disc DVD. Special Features: Several featurettes (adding up to 15 minutes), a seven-part making-of mini documentary entitled “Mysteries of Moonhaven Revealed” (HD, 24:39), and the theatrical trailer.

Next up, Michael Haneke’s excellent 2012 French drama AMOUR, winner of the Best Foreign Language Film of the Year Oscars earlier this year, comes out today in single disc Blu ray and DVD sets. Jean-Louis Trintignant and Emmanuelle Riva (nominated for Best Actress Academy Award) star as an aging couple dealing with dementia in this film which sounds depressing but is absolutely essential viewing. Read my review: Michael Haneke’s AMOUR Earns Its Accolades (2/8/13). Special Features: A “Making of AMOUR” featurette, and a Q & A with Director Haneke.

Other New Release titles today: Mark Steven Johnson’s Robert De Niro/John Travolta action thriller KILLING SEASON, James Marsh’s SHADOW DANCER, Ryûhei Kitamura’s NO ONE LIVES, and Malcolm D. Lee’s atrocious looking SCARY MOVIE 5.

Ramona S. Diaz’s DON’T STOP BELIEVIN’: EVERYMAN’S JOURNEY, a documentary about how the San Francisco Journey found their current lead vocalist on YouTube, is also available today, but on DVD only. A Special Edition of the film is a WalMart, which sure says a lot, doesn’t it? My review of the film, which I saw a screener of last March, is here.

A much better documentary, Shola Lynch’s FREE ANGELA & ALL POLITICAL PRISONERS, also drops on DVD (+Digital and UltraViolet) today. The film, which I saw at the Full Frame Documentary Film Festival last April, tells the story of radical activist Angela Davis, whose trial on charges of murder, kidnapping, and conspiracy riveted the nation in the early ‘70s. No Special Features are listed for it, but a film as packed with archival footage, interviews, and powerful Nixon-era imagery doesn’t really need any.

The Criterion Collection adds a couple of Satyajit Ray titles from a half a century ago, THE BIG CITY (1963), and CHARULATA (1964), to their roster on Blu ray today. Both have tons of supplements, as they call ‘em, including fancy booklets. Also on the older titles new to Blu ray front, there’s Peter R. Hunt’s 1981 action adventure DEATH HUNT, starring Charles Bronson and Lee Marvin; Melvin Frank and Norman Panama’s 1954 comedy KNOCK ON WOOD, starring Danny Kaye and Mai Zetterling; another Danny Kaye comedy, Melville Shavelson's ON THE DOUBLE (1961); Norman C. McLeod's 1951 Bob Hope comedy MY FAVORITE SPY, and Alan Rudolph’s largely unseen 1980 rock comedy ROADIE, starring Meatloaf and Art Carney.

TV series sets releasing today include Boardwalk Empire: The Complete Third Season, The Good Wife: The Fourth Season, Star Trek: Enterprise: Season 2, NCIS: The Complete Tenth Season, Revenge: The Complete Second Season, and Parenthood: Season Four, among many others I'm sure.

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Journey Plucks Lead Singer From YouTube Obscurity In DON’T STOP BELIEVIN’

This new documentary, rockumentary if you will, as Marty DiBergi would say, is now playing in selected cities across the country:

DON’T STOP BELIEVIN’: EVERYMAN’S JOURNEY 

(Dir. Ramona S. Diaz, 2012)

Dammit! I can never escape Journey.

Over three decades since they first tortured me via AOR radio, the San Francisco band's particular brand of schlocky power balladry is still unavoidable. The use of the song “Don’t Stop Believin’” in the controversial last episode of The Sopranos has had a lot to do with the current resurgence of the band’s popularity that came to an ugly head in last summer’s awful ‘80s hair rock homage ROCK OF AGES (happily that movie flopped).

I should’ve accepted by now that Journey is a corporate rock machine, one that will keep going even if it has to replace a vital part. This documentary, the debut full length feature by director Ramona S. Diaz, is about the most recent replacement of the band’s lead singer in 2008, for an album and tour that was already in the works.

What’s interesting, or at least amusing, is how they went about finding their man. Guitarist and founding member Neil Schon trolled YouTube watching clips of Journey cover bands and tribute artists in a desperate last minute search to find a Steve Perry sound-alike for what he calls that “legacy sound.”

Schon happened upon videos of Arnel Pineda, a Filipino singer/songwriter who could imitate Perry’s vocal chops impeccably. Schon sent Pineda an email offering him the job that stressed “this is not a joke,” and before you know it, the skinny energetic 40-year old was fronting the band he idolized.

And then suddenly, Journey has more of an international appeal.

This is all established in the first 15 minutes so after that the documentary goes in circles through Journey’s history, stuff that was better covered in their episode of VH1’s Behind The Music, and through footage of the band onstage and backstage on their Revelation Tour ‘08.

Despite the name of the tour depicted, there are no real revelations in the backstage stuff, which is the kind of fluff that fills up special features on concert Blu ray or DVD releases, and the lengthy chunks of the band performing to thousands of appreciative fans will only be appreciated by those same fans.

Diaz’s documentary is most compelling when it touches on the fans that weren’t on board with Pineda joining Journey. We see Pineda reacting to cruel racist posts on internet message boards like one that yells with all caps: “ONLY FILIPINOS WILL SUPPORT TIS CRAPPY SINGER!!!!!!” (misspelling kept intact).

“I think he should be from here,” says one young female concertgoer, who stresses she’s not being racist. Another girl in the same concert venue parking lot counters with “He sounds just like him, and it’s still music.” Well, at least she’s half right. No, that’s a cheap shot, but I wish they spent more time with the white trash fans getting drunk and spouting out inanities before the show, but that’s probably because it reminded me of HEAVY METAL PARKING LOT (Jeff Krulik’s 1986 short shot in the parking lot of a Judas Priest that lives up to its cult reputation).

It’s all well and good, that Pineda was able to overcome the poverty of the streets of Manila and the rough living of his youth to hit the big-time, and it’s great he could buy his family a nice house and all, but the way that this is packaged, like an inspirational polemic is laughable. It seems to be saying that you too could be plucked from YouTube obscurity to front your favorite band, so don’t stop believin’ in your dreams, kids!

Pineda’s storyline weaving through the history of Journey’s branding does have uplifting elements, and he seems like a nice guy humbled by the spotlight, but, hey, it’s a one in a million tale of luck. No amount of belief will change that, even if it goes on and on and on and on and on…

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