Showing posts with label Demetri Martin. Show all posts
Showing posts with label Demetri Martin. Show all posts

Monday, September 16, 2013

IN A WORLD...Where A Woman Makes A Really Likable Directorial Debut...

Now playing at an indie art house near you...

IN A WORLD…
(Dir. Lake Bell, 2013)


There are quite a few things I really liked about this film, the directorial debut of Lake Bell, who also wrote, produced, and stars.

First off, I liked the premise: Bell is a Los Angeles vocal coach who gets a chance to break into the male dominated profession of doing voice-overs for movie trailers when the powers that be decide to bring back the “In a world…” phrase that used to open seemingly every preview.

Next, I liked the cast that populates the film including Fred Melamed as Bell’s father, a voice-over legend second only to the real-life late Don Lafontaine, comedian Demetri Martin as Bell’s co-worker who has a crush on her, Ken Marino (The State, Party Down) as a slimy voiceover talent who Melamed is grooming to take over his position, Micheala Watkins (SNL) as Bell’s sister who’s married to Rob Corrdry (The Daily Show, HOT TUB TIME MACHINE), and Nick Offerman (Ron Swanson from Parks and Recreation), and comedian Tig Nattaro as cynical sound engineers.

I liked Bell’s screenplay, which is full of good lines, well observed insights into this little explored segment of show business, and relatable characters.

I liked the third act cameos that I won’t spoil, the composition of many shots by cinematographer Tom McArdle, and that it taught me that the Golden Trailer Awards, now entering their 14th year, is a real event.

Yes, Bell’s IN A WORLD is a very likable movie.

Previously, Bell has appeared in such TV series as The Practice, Boston Legal, and Children’s Hospital, or in films like IT’S COMPLICATED, WHAT HAPPENS IN VEGAS, and the recent thriller BLACK ROCK, but she’s never really stood out.

Here Bell really earns the spotlight with her relatable neurotic lead portrayal and by crafting a comedy that’s inventive, unpretentious, and as appealing as she is.

Melamed, who has appeared in 8 Woody Allen films and put in an acclaimed performance in the Coen Brother’s A SERIOUS MAN, makes the most of his juicy role here. With his character’s vanity largely on display (and embodied in his young girlfriend Alexandra Holden), Melamed never fails to amuse whenever he’s on screen. 


When Melamed finds out that his daughter may be up for a major trailer voice-over gig for a HUNGER GAMES-esque quadrilogy, the one that’s going to bring “In a world” back, he calls off his retirement to compete with Bell and Marino for the job. His parental pettiness, especially as he's on the verge of accepting a Lifetime Achievement Award at the Golden Trailer Awards, is hilariously palpable.

Unfortunately, more on the sitcom side is a subplot involving Watkins coming close to cheating on her sandwich obsessed hubby Corrdry, but that bit of comic conflict doesn’t get in the way of the fun here – in fact the way it wraps up features one of the film’s funniest and touching moments.

So again, Bell's film is extremely likable, but more importantly it's a refreshing low key comedy that cares about its characters. In a world (sorry) of excruciating amounts of blockbuster bombast, that's really something to embrace.

More later..

Wednesday, August 26, 2009

TAKING WOODSTOCK: The Film Babble Blog Review


On Monday I announced a TAKING WOODSTOCK giveway (soundtracks, t-shirts, air-fresheners) - go here for information. I'll be taking answers until September 6th so get those entries in! Now onto the movie:


TAKING WOODSTOCK
(Dir. Ang Lee, 2009)



In his first starring role, with eyes that look like the sewn-on big brown button eyes from the movie CORALINE, comedian Demetri Martin finds himself smack dab in the middle of the wheeling and dealing behind one of the biggest rock festivals in history. 

For Martin as Elliot Tiber, a closeted artist who manages his parents' struggling motel, this all begins as a whim one day in the summer of 1969. Hearing that officials for the town of Wallkill banned the concert from its original location, he cold calls Woodstock Ventures armed with the only musical festival permit in the entire town of Bethel, New York. 

Almost immediately promoter Michael Lang (Jonathan Groff) and company arrive by helicopter to a nude welcoming via the avant garde theater troupe (led by Dan Fogler) that live in the barn behind the motel. Unfortunately, Martin's land, a swamp really, isn't suitable for concert grounds but there happens to be a farm with a lot of land just up the road owned by dairy farmer Max Yasgur (Eugene Levy in a nicely laid back performance) that just might do.



It's tempting to ditch the plot summary here and just say 'and the rest is history' but there's so many endearing details in this low key but extremely likable film to address. Using the same split screen techniques of the original concert documentary WOODSTOCK, Lee has the look and feel down completely. Some shots look so amazingly like footage from the actual event that I was amazed to find out that none was used. 

There are no actors playing the musicians because the action never gets that close to the stage - miles away Martin navigates through the huge crowd, taking part in the mud slides and indulging in psychedelics with the music blaring off in the the distance but he never gets up close and personal with the performers and perhaps that's the point.



There are some mis-strokes, such as a traumatized Vietnam vet played by Emile Hirsch and a smug Liev Scheiber as a gun totting transvestite providing security. These are unnecessary devices in an already overstuffed scenario. Some of Martin's exchanges with his parents (Immelda Stanton and Henry Goodman) are far from fleshed out as well but this doesn't kill the film's beautiful buzz. 

I could also overlook the historical errors. For example, Wavy Gravy is mentioned but at Woodstock he was still Hugh Romney, he wasn't dubbed Wavy Gravy till 2 weeks later at the Texas International Pop Festival. Also the real life Michael Lang disputes that Tiber introduced him to Yasgur to get the ball rolling but again I can let these things go and bet you can too. Overall the humor ("Charging a dollar for water? Can you believe that?") and heart of this project are in the right place, with cynicism not being allowed entry. 

I've written before about whether or not Woodstock lives up to its legend, and I feel that Ang Lee's film here isn't interested in taking a stand. It's content with a simple story about a few days that changed a man's life (you could be forgiven in not knowing that Martin is dealing with his homosexuality - it sure isn't an element they're advertising in the trailers).



In my favorite sequence Martin gets a ride from a sympathetic motorcycle cop into what Scheiber calls "the center of the universe" (actually despite what I said above - Scheiber does have his moments). Martin then meets a hippy couple (Paul Dano and Kelli Garner) and takes LSD with them. Martin's already big pupils get bigger as he watches the colors from posters, crystals, and assorted paisley accoutrements swirl around the walls of their VW bus. 

It's a scene that could be so clichéd - the obligatory trippy scene - but Lee, here and in the rest of the film, sincerely just wants us to soak up the sights and sounds and be soothed by them. Dark clouds were on the horizon for the Woodstock generation but for one brief moment the light of possibility was blinding. Lee captures that dying light and gives us a film that gives off great vibes.

More later...

Monday, August 24, 2009

Giveaway: TAKING WOODSTOCK Soundtrack + More




Having just recently re-watched and blogged about WOODSTOCK, I was happy to take in a screening of the new Ang Lee film TAKING WOODSTOCK starring Demetri Martin - opening this Friday and really liked it (a full review will be posted on Wednesday).



I have some soundtrack CDs + T-Shirts and air freshers (!) to give away so the best answers to this question will get one of them:

What was the best act at the original 1969 Woodstock and why

Email your answer to: boopbloop7@gmail.com

By the way, the soundtrack is way cool with original '69 festival tunes mixed with a new Richie Havens track and a few Danny Elfman score selections. So get those answers in!

More later...