Showing posts with label Chris Elliot. Show all posts
Showing posts with label Chris Elliot. Show all posts

Thursday, April 04, 2024

The Greatest Moment In Pop Culture History: William Shatner Covering Elton John’s “Rocket Man”


After much deliberation through many studies, countless sleepless nights, and endless arguing with colleagues (i.e. my cats), I’ve come to the inescapable conclusion that William Shatner’s cover of Elton John’s “Rocket Man” is the single greatest moment in pop culture history.

The incredible event went down on January 14, 1978 at the 5th Saturn Awards (broadcast as The Science Fiction Awards on January 21, 1978), which the Star Trek star co-hosted with actress Karen Black. At one point during the awards ceremony (in which STAR WARS unsurprisingly swept), famous lyricist Bernie Taupin, best known for his songwriting collaborations with Elton John; came on stage to introduce the very special number.

 

The sunglasses-wearing, white-gloved, tuxedoed Taupin addressed the audience: 

 

“In 1972, when Elton John and I wrote ‘Rocket Man,’ it became very popular among the listeners. Due to the interest in the meaning of the song, now in 1978 at the Science Fiction Film Awards, I’m trying proud to once again present my ‘Rocket Man,’ as interpreted by our host, William Shatner. Thank you.’

 

As dripping with gravitas as that intro was, it did little to truly prepare the crowd for the intense interpretation they were about to experience. Watch the clip:

 


Chills, huh? The concept is very clear: a man pondering his existence in the early evening over a cigarette is encountered by his other selves, from as the night drunkenly progresses. When one Shatner (in a big close-up projection) statically states, ‘Mars ain’t the kind of place to raise your kids,’ to which the original early evening Bill responds, ‘in fact, it’s cold as hell,’ it hits you right in the feels.

 

Then the song climaxes with the drunkest, most late night vision of Shatner, tie-undone, slurring supremely, and dancing in a fists-clenched manner that strongly resembles Donald Trump’s dance moves, appearing to take the tune home. 

 

The over-whelmingly power performance concludes with each of the three Shatners (maybe this concept was inspired by there being multiple Star Trek episodes with Captain Kirk doubles?) reciting the song’s dramatic last line ‘And I think it's gonna be a long, long time,’ separately, then together until they merge as one.

 

When watching this amazing video, I can’t believe how the audience was able to keep from laughing (I think you can hear some gasps though) because this shit is hilarious AF. In the pre-YouTube era, or pre-internet era in general, this was a very rare video that one might hear talk of, but not actually see.

 

I remember seeing the late, great SNL legend Phil Hartman bring it up on a late night talk show sometime in the late ‘80s-early ‘90s, saying there was a videotape of it being passed around through his comedy buddies, but it didn’t gain real notoriety until another comedy legend (that thankfully is still with us) Chris Elliot parodied Shatner’s spoken word spectacle on an episode of Late Night with David Letterman on June 12, 1992:

 


Since then it’s also been targeted by Beck (from the 1997 video for “Where it’s At”):



And Family Guy (“And the Wiener is...” S3E5, broadcast on August 8, 2001:



What’s funny about these takes is that none of them really satirizes what Shatner did in his immaculate presentation of the iconic pop classic, they just do what he did as it can’t *be* parodied, only imitated. 

 

It’s also funny that Shatner has re-framed the performance, claiming it wasn’t meant to be seen by anyone but the audience at the Saturn Awards show (although it was broadcast less than a week after its taping on network TV, and that he meant it as a joke.

 

“I thought how funny, amusing, interesting – all those words - it would be if I did Frank Sinatra doing that song,” Shatner reflected in a 2019 interview. “He loosened the collar, he puffed out a cigarette, and then what I thought, ‘Well, if I try to do anything different, it’s [in monotone] ‘Rocket man,’ that’s Captain Kirk, and then there’s ‘Rock it, man!’ like a rock ‘n roll guy, I thought that was another interpretation, and then there was a third interpretation, three ways, three layers that I could do it. I was trying to be amusing in front of a 100 people.”


In a 2022 interview with Chris Wallace on CNN, Shatner is again confronted with the clip, and again re-inforces his view that he was “just kidding around, I didn’t know they were recording it,” even going on to say “I’m front of an audience, I’m doing this thing; we’re all laughing, we’re all having fun,” when the clip contains no laughter from said audience. That’s one of the things that makes it so funny now, is how seriously it’s taken.

 

Not my finest moment,” he confessed to Wallace. “But I re-recorded it on another album the way I thought it should go.” What Shatner is referring to having released a new version of the song for his album Seeking Major Tom in 2011. 

 

Also, this new version of “Rocket Man” was released on a limited edition seven inch single in 2022 with this nifty picture sleeve:


Since Shatner actually became a rocket man in real life, via a brief trip into space on a capsule piloted by Jeff Bezos’ company Blue Origin in 2021, his cover has much more resonance, which makes it even funnier.


If this post is your first time seeing the greatest moment in pop culture history, I think it's gonna be a long, long time before you ever forget it. 


Just as Shatner recites whispering with incredible drama: A long...long...time.


More later...

Monday, September 23, 2013

Blu Ray/DVD Review:ÉVOCATEUR: THE MORTON DOWNEY JR. MOVIE


ÉVOCATEUR: THE MORTON DOWNEY JR. MOVIE
(Dirs. Seth Kramer, Daniel A. Miller, Jeremy Newberger, 2013)

The Morton Downey Jr. Show was the fastest rise and fall in the history of television” claims Bill Boggs, a former Executive Producer of the infamous late ‘80s talk show, in this biodoc now out on DVD and a pretty pricey Blu ray edition. Boggs is right on the money – I was a teenager at the time of the show and everyone I knew watched it, then, extremely suddenly, didn't.

If you had cable, which was only a 100 channels or less back then, you couldn’t help but come across The Morton Downey Jr. Show when channel surfing. It was a breakout hit in syndication so it was on several times a day on different affiliates. I knew people who recorded it on VHS tapes – surely the source of a lot of YouTube clips (look up Downey Jr. Show clips on YouTube and you’ll get 10,000 results).

It was one of those outrageous ‘I can’t believe this is on television’ shows in which the host, a chain smoking conservative loud mouth, would yell, and blow smoke, right in the faces of guests he disagreed with, goaded on by audience that former New York Mayor Ed Koch once likened to “a lynch mob.” It was often hilarious, especially as the guests got weirder (or more staged), but I guess I stopped paying attention to it at the same time everybody else stopped paying attention, and then it was gone.

Kramer, Miller, and Newberger’s documentary takes us through Downey Jr.’s background as the son of a famous singer, who at first followed in his father’s footsteps (he had one top 100 hit as a crooner), but then, after a stint as campaign consultant to Robert Kennedy, fashioned a persona based in part on the confrontational style of ‘60s talk show host Joe Pyne. The film features fascinating footage of Pyne that strongly makes this case.



Downey Jr.’s show lasted less than 2 years. An incident in which he claimed he was attacked by a group of neo-Nazi skinheads in a men’s room at the San Francisco International Airport was meet with suspicion of a hoax, and it led to his program’s cancellation. The consensus was cemented that this guy’s whole deal had been just an act all along.

After some failed comebacks – a show on CNBC in 1990; a few talk radio gigs in the ‘90s – Downey Jr. died from lung cancer in 2001. His legacy lives on it the waves of reality shows, angry political pundits on cable news, and anybody who’s ever gotten a mike and yelled at somebody on camera. “We made Al Sharpton!” Former Downey Jr. Show segment producer Rebecca Johnson says proudly at one point.

ÉVOCATEUR tells Downey Jr’s story well, with many insightful funny interview subjects (Chris Elliot, who parodied Downey Jr. on Late Night With David Letterman is one to watch for), and well chosen clips, but I could’ve done with less of the darkly grotesque animation by Murray John and Stefan Nadelman that's supposed to be connective tissue to the archival footage and photos. It's mostly unnecessary, and too obviously there to fill in the gaps where visual sources were lacking.

Otherwise this is a ballsy breakdown of an in-your-face TV personality who talked so much trash in his time in the spotlight that it’s still cluttering up our airwaves. It just comes out of different mouths now like Glenn Beck, Rush Limbaugh, pretty much all of Fox News, etc.

The best Special Feature on this release is a compilation of highlights from The Morton Downey Jr. Show called “Memorable Moments.” In one clip, Downey Jr. asks Joey Ramone (lead singer of punk rock gods The Ramones, of course) “What is your decadent lifestyle?” Joey replies without a pause, “Coming on the Morton Downey Show.”

Other Special Features: Audio commentary with the film makers, “Behind the Animation with Murray John,” and a less than 2 minute featurette “An Evening with Mort's Guest Kellie Everts.”

More later...