50/50: The Film Babble Blog Review

50/50 (Dir. Jonathan Levine, 2011)



Mining the misery of coping with cancer for comedy may not sound like a promising premise, yet 50/50, based on screenwriter Will Reiser’s bout with the illness, pulls it off with humorously heartfelt aplomb.

When Seattle public radio writer/producer Joseph Gordon-Levitt is diagnosed with the disease he’s unsurprisingly devastated, but he has a devoted girlfriend(Bryce Dallas Howard), and a supportive best friend (Seth Rogen) to help get him through.

Uh, make that just a supportive friend, as Rogen discovers at an art gallery that Howard is cheating on Gordon-Levitt and has photographic evidence of this on his cell phone. Howard is soon out of the picture, and Gordon-Levitt turns to Anna Kendrick as a therapist who’s adorably awkward in her newness to the job as she admits he’s only her third patient.

You got to love a movie that makes a convincing case for exploiting your ailment to get laid, a plan that anyone could guess was the scruffy Rogen’s. After helping shave Gordon-Levitt’s head with his “ball trimmers,” Rogen takes his friend out to a club in one of the film’s funniest scenes where they learn that “I have cancer” is not an effective pick-up line.

So the profane, yet mildly profound 50/50 is essentially a bromance in the Apatowian tradition, but it doesn’t try too hard for laughs, they come naturally from conversations and situations that feel lovingly adapted from real life.

Take the case of Gordon-Levitt’s parents. The always welcome Anjelica Houston has the well-worn worried-sick mother part, but doesn’t overplay it. Likewise Serge Houde as the father who is suffering from Alzheimer’s. Neither character is exaggerated for comedic effect, or absorbed in messy melodrama and that’s incredibly refreshing to witness.

I was amused as much as I was touched by this film. I’m fine with Gordon- Levitt doing big ass Christopher Nolan flicks, and Rogen trying to find his footing in stoner superhero movies (or whatever the Hell you’d call the upcoming JAY AND SETH VS. THE APOCALYPSE), as long as they do funny small scale stories with emotional pull like this every once in a while.

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MONEYBALL: The Film Babble Blog Review

MONEYBALL (Dir. Bennett Miller, 2011)

 

Some of the best camaraderie I’ve seen on the big screen lately is in the exchanges between Brad Pitt and Jonah Hill throughout this unorthodox take on the traditional inspirational sports story.

Pitt plays the real-life Billy Beane, the general manager of the Oakland Athletics, who recruits Hill, as a Yale economy major based on Paul DePodesta, to help him think outside the box in putting together a baseball team on an extremely low budget.

There’s a delicious deadpan thing happening with Pitt and Hill as they employ a statistical approach to scouting for new players, no doubt due to the thoroughy witty screenplay written by Aaron Sorkin and Steven Zaillian. It’s a pleasure to see Pitt as basically a regular relatable guy - a divorced dad who is driven to shake things up in his career - trading ideas with Hill, in one of his most likable and believable roles.

A dour Philip Seymour Hoffman, as the field manager of the team, doesn’t quite get what Pitt and Hill are up to so there are some flare-ups, but a rag tag roster of players is assembled (including Chris Pratt, Stephen Bishop, Casey Bond, and Royce Clayton) that pulls off a 20-game winning streak.

Despite such factors as Pitt’s overly precocious daughter (Kerris Dorsey) and his ex-wife (a barely registering Robin Wright), there’s not much of an emotional impact to this material, but the backroom break-downs which make up the bulk of this film are engaging enough to draw one in.

Subdued yet extremely sharp, MONEYBALL isn’t a movie just for baseball fanatics, it’s for anybody who enjoys character driven drama about people experimenting with new methods with compelling determination. Pitt provides one of his most down to earth performances that carries the film superbly, and the inventive pairing of him with Hill works way better than one would think.

Not being a baseball guy, or a sports guy at all for that matter, I was surprised at how much I enjoyed this film. It has the drive of the best docudramas – the ones that educate as much as they entertain – and folks should walk away with a good sense of how a couple of everyday guys can really be gamechangers.

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Blu Ray/DVD Review: CONAN O'BRIEN CAN'T STOP

This documentary drops today on Blu ray and DVD:

CONAN O'BRIEN CAN'T STOP (Dir. Rodman Flender, 2011)

The title shot of this film has Conan O'Brien backstage strumming his guitar framed exactly like Bob Dylan was in the title shot of the 1965 documentary DON'T LOOK BACK. The font is even the same so it appears that director Rodman is attempting to do what D.A. Pennebaker did definitively for Dylan: capture an icon on tour during a pivotal period of transition.

Sadly, this is hardly a definitive or essential piece of work. It's a sloppily assembled, horribly uneven, and only fitfully funny film that jumps around spastically as much as its subject often does during his monologues - only it's less annoying when Conan does it.

I expected so much more from the director of LEPRECHAUN 2!

At the beginning Flender sums up the situation that I'm sure everybody reading this surely knows, so I'll try to keep it brief - after losing his Tonight Show gig on NBC in early 2010, Conan contractually could not appear on television, radio or the internet for 6 months, so he went out on a tour dubbed "The Legally Prohibited from Being Funny on Television Tour."

Okay, so that wasn't very brief.

There are a lot of clips of amusing stage antics, and some entertaining excerpts of the stable of songs (mostly rockabilly) played on the tour, but the choppiness of the presentation prevents immersion into the material.

The soundbite nature of the editing makes the interview bits unable to provide much insight. We hear Conan talk about the raw deal he was given (at point he says "sometimes I'm so mad I can't even breathe"), but you're better off with the 60 Minutes interview from last year if you want anything approaching revelations.

Still, Conan is an extremely funny guy so the film can't help have some hilarity - you gotta love a guy who says "it's in God's hands now" after sending a tweet. Sometimes Conan comes off mean with his constant comical verbal abuse of his assistant Sona Movsesian, the school boy punches to the shoulders of staff members, and the merciless ribbing of 30 Rock's Jack McBrayer - but hey, that's just the man's patented attention seeking persona. He acknowledges as much: "I might be a fuckin' genius and I might be the biggest dick ever, I don't know. Or maybe both - that's what Patton was."

It's obvious that Conan is always "on" when he's in front of a camera (I bet a lot of the time off camera too), so its a documentary that will be most enjoyed by hardcore fanatics i.e. Team Coco.

Although CONAN O'BRIEN CAN'T STOP isn't a great documentary, it's a worthwhile Blu ray/DVD because of its abundant special features.

The commentary with Conan, Flender, and the crew is much funnier than the movie (Conan says he wanted the tour's lengthy name to be even longer: "I wanted to call it 'The Legally Prohibited from Being Funny on Television Tour Because of Jay Leno Tour'"), there's a fairly insightful 11 minute interview, and a nice smattering of watchable outtakes which are listed below.

Special Features: Commentary with Director Rodman Flender, Conan O'Brien, Andy Richter, Mike Sweeney and Sona Movsesian, Interview with Conan O'Brien, Interview Outtakes, Additional Scenes.


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