With 2 days to go I thought it was time to finalize my Oscar picks for this year. Like I’ve said before I’m going in with a certain percentage of guts, wild guessing, and a bit of internet research. The last few years I’ve gotten the same score - 13 out of 24 so don’t think I’m talking like I’m any expert. Far from it but here goes anyway:
3. BEST ACTOR: Mickey Rourke - I believe this will happen but it’s a personal choice as well. His acceptance speech is sure to be a tearjerker. I’ll probably be all cried out from his interview with Barbara Walters earlier in the evening by then though.
4. BEST ACTRESS: Kate Winslet
5. BEST SUPPORTING ACTOR: Heath Ledger - It will indeed be extremely shocking if this doesn’t happen. Seems like even if not for his incredibly untimely demise, Ledger would still pick the winning card.
6. BEST SUPPORTING ACTRESS: Penelope Cruz - feels like there may be a major surprise in this category but I’m going with Cruz, again for personal reasons.
17. ANIMATED SHORT:PRESTO - This is the only one I’ve seen (it’s the only many have seen since it was at the beginning of WALL-E) but it seems to have the edge.
2008 was definitely not as strong a year in film as 2007 as it had many more clunkers and mediocre movies that crammed theaters weekend after weekend. I mean this was a year in which respected icons Al Pacino and Robert De Niro (together again for the very first time!) appeared in a movie nobody cared about while Mike Myers and Adam Sandler competed over who could make the least appealing former SNL player vehicle ever (THE LOVE GURU and YOU DON'T MESS WITH THE ZOHAN respectively). I avoided those movies but I saw more than my share of absolutely awful films. Here’s the worst of the worst: 1. WANTED (Dir. Timur Bekmambetov) This ginormous train wreck of a movie actually featured a ginormous train wreck in a central sequence that was certainly its most memorable moment. That, for way obvious reasons, is fitting because the awful premise that attempts to flesh out a FIGHT CLUB-ish dis-satisfied working cog scenerio into a Swartzennegerian high octane comic book extravaganza just ends up a CGI suckfest. I felt sorry for James McAvoy and Angelina Jolie (who make one of the most unconvincing screen couple action duos ever) along with Morgan Freeman, Terrance Stamp, and even the damn fake train for having to take part in this high octane tripe. I literally got sick seeing this last Summer, that may have been the food at the Raleighwood Cinema Grill, but this sure didn’t help! 2. AN AMERICAN CAROL(Dir. David Zucker)
Michael Moore responded to a question from Time Magazine’s Richard Corliss about this movie that mocks him with “[Cyber-silence].” Not dignifying it with an answer was beautiful on Moore’s part because a film that treats Bill O’Reilly like he’s a hero and treats the audience like idiots ready to lap up faux patriotism presented as cheap shots at a popular liberal documentarian should be (and was) roundly ignored. Chris Farley’s brother Kevin was in the lead role as the ersatz Michael Moore. Enough said
Infamous John Lennon murderer Mark David Chapman is no deranged Travis Bickle poetically stalking the mean streets, and this is no TAXI DRIVER. Jared Leto gained weight but no cred for this disgusting nothing. Fun fact: Lindsay Lohan’s only screen appearance of 2008 was in this as a Beatle groupie named Jude. Oh, actually that’s not really much of a fun fact. Nothing about this is. Read my review of the detested DVD here.
The most aptly titled film on the list by far. Ben Stein used to be likable despite being a former Nixon speechwriter because he was like ironic, you know, as the game show host on Comedy Central’s Win Ben Stein’s Money and that classic cameo in FERRIS BUELLER’S DAY OFF (“Bueller? Bueller?”). Now he’s destroying that charming ironic image by trying to debunk the theory of evolution and equate those scientists who supposedely repress the study of Intelligent Design to Nazis.
This poorly made, poorly written, and just plain poor non doc is even stupider than it sounds. I was too appalled to write a review when I watched the DVD a few months back but I highly recommend Roger Ebert’s blog-piece (not an official review mind you but still brilliant) “Win Ben Stein's Mind” (Dec. 3rd, 2008).
The only thing that happened here was we were given the undeniable sign that Shyamalan should be stopped at all costs. Donnie Wahlberg, so good in THE DEPARTED, regressed into a placid persona that will be SNL impression fodder forever. It wasn’t his fault though, some actors are only as good as their material and he was given a formless piece of high concept crap in which to run around aimlessly in. How can we stop this hack Shyamalan from offending again? Any ideas?
In Britain this was renamed NEWS MOVIE which makes it appear to be in the series of putrid non satires including EPIC MOVIE, DISASTER MOVIE, MEET THE SPARTANS, etc. and though that’s not really accurate it’s still right as rain to add it to that bunch of bullshit. Read how I believe it killed off the tiny sub genre – the sketch comedy film – here. 7.QUANTUM OF SOLACE(Dir. Marc Forster)
A while back I wrote about how much I craved a new good John Cusack film, but while he did make a close to decent film this last year (GRACE IS GONE) he took a huge step backwards with this quasi sequel to GROSS POINT BLANK which is just grossly unwatchable. Glib with not a plausible frame or laughable line, WAR INC. wastes not just Cusack but Dan Aykroyd, Marisa Tomei, Ben Kingsley, and even the voice of Montel Williams (that’s right) as well in this toothless political parody. Even John’s usually reliable sister Joan comes off as unbearably obnoxious. I never wrote a review of it but the Onion A.V. Club’s Nathan Rabin’s hilarious appraisal (“No Blood For Oil Stridently Political Case File #129: War, Inc.”) in which he labels it a “Fiasco” is well worth checking out.
Way to kill off a possible franchise, Mr. Carter! Make a movie that contains none of the original supernatural charm of the seminal series or the previous film and make it excruciatingly dull too, why doncha? Read more of my bitching here.
Hey, the Woodman has a film on both my Best Of and Worst Of 2008 lists! The luscious VICKY CRISTINA BARCELONA luckily erased memories of Ewan Macgregor and Colin Farrell as brothers who scheme to…uh, like I said I don’t remember. I just remember being bored and wondering if Woody would ever make a good movie again. Thankfully he did.
Read more about my darkness before the dawn (I know –sounds appealing doesn’t it?) here.
Despite its reputation as an art theater, the Varsity Theater in Chapel Hill, N.C. where I work part-time, has often shown big commercial movies. BATMAN BEGINS, WAR OF THE WORLDS, and even Will Farrell fare like TALLADEGA NIGHTS and SEMI-PRO have shown up on our screens among the indie and foreign films that usually dominate the roster.
However it was still surprising that the owner decided to run the new FRIDAY THE 13TH remake alongside SLUMDOG MILLIONAIRE, which has been pulling audiences in since late last year.
I worked a short shift this afternoon and it went something like this:
2:18 P.M. Both films are well underway. There are only 8 people in the theater to see FRIDAY THE 13TH as opposed to the 62 that are here to see SLUMDOG MILLIONAIRE. Ouch!
Of course our theater is not exactly representative of how well the film may actually be doing. It is playing at 2 multiplexes in the area and many who would go to a horror film wouldn’t usually go until after dark. After cleaning up a little I tell my co-workers I’m going to check out some of FRIDAY THE 13TH but I’ll probably be back really soon. I enter the theater…
2:51 P.M. For some reason I decide I can stomach some more so I go back in...
3:06 P.M. I caught a bit that takes place in daylight. More partying teenagers are living it up at Crystal Lake campgrounds. After making machete meat of some really rednecky guy (how rednecky? We see literally licking a page from Hustler magazine) in an old dusty antique filled attic, Jason finds a beat up hockey mask. He dons it, checks himself out in the mirror (presumably thinking “hmm, I like it!”) and I was in awe of this historic detail of his origin story - uh, that is if you replace ‘in awe’ with ‘in complete indifference’. From there we go to a topless water-skiing sequence that ends in tragedy. Don’t they all?
3:16 P.M. Okay, only because I’m bored I go in for what I hope is my final round with the FRIDAY THE 13TH, uh, well it’s not really a remake so is it a re-boot? A re-imagining? Whatever it is I go on in again…
3:48 P.M. Whew! I actually watched the entire last act! The kids were in some house with the power cut off and Jason was offing them one by one (he seems to particularly enjoy impaling young scantily clad bodies on whatever's handy - axes, deer antlers, long spikes and hooks, etc.). I loved when they called the police, only one car showed with only one cop and it seemed like less than a minute before he was impaled on something (most be some unwritten rule of horror movies - only send one cop). It was all exactly what I expected. Not one surprise or moment of original invention especially not the so non thriller ending. But then it makes no claims to be anything but an onslaught of breasts and blood so what I’m I complaining about? Okay I’m complaining about how what I saw was bone dry boring and bad by even schlocky slasher movie standards.
4:54 P.M. My shift is over. As I leave the theater I ask how many tickets sold for the 4:20 FRIDAY THE 13TH. One ticket sold. SLUMDOG MILLIONAIRE sold roughly the same as its earlier show (about 60 something). Obviously there’s little love for the new Jason incarnation but at least I figured out that it’s not a remake, reboot, or re-imagining. It’s a rehash rip-off.
The rest of my Valentine’s day has got to be better than this.