The buzz has been a-blazing on this film way before it made the news when Roger Ebert got smacked down (literally) by a fellow critic at a screening in
last September. Toronto
Right now it is topping many Critics’ Award lists for 2008, getting multiple Golden Globe nominations, and gaining massive word of mouth as it gets a wider release. What’s more impressive is that this film deserves every accolade and award and then some. It is a “feel good” movie in the least cynical use of that well worn publicity phrase with its inventive story-telling and rich palette of visual splendor, simply amazing considering its squalor-filled settings.
So how can depictions such as poverty, child abuse, and even the sight of somebody drenched in feces be in a film that adds up to an overwhelmingly happy and heart-warming experience? I dunno, but this film pulled it off magnificently - echoing the power and grandeur of CITY OF
crossed with the clever charm of Boyle’s own MILLIONS, and it’s done with wit and grit to spare. GOD
Our hero is 18 year old Jamal (Dev Patel along with Tanay Cheda and Ayush Mahesh Khedekar as Jamal at younger intervals) who is being interrogated by police, USUAL SUSPECTS-style, about his suspiciously improbable winnings from appearing on the Hindi version of the modern classic quiz game show Who Wants To Be A Millionaire?.
His answers involve engaging and sometimes disturbing flashback sequences that are handled deftly and definitely more fluidly than in many other recent broken narratives. From an early age, Jamal made a couple of connections that would deeply affect his current predicament – his love for Latika (Freida Pinto with Tanvi Ganesh Lonkar, and Rubiana Ali as younger incarnations) and his stormy clashes with fellow slum kid Salim (Madhur Mittal, Ashutosh Lobo Gajiwala, and Azharuddin Mohammed Ismail – whew!) All of these talents, tested (especially Anil Kapoor as the unctuous game show host) and untested are up to the task at hand here.
A end credits dance sequence (that can’t possibly be a Spoiler!, can it?) is the only thing Bollywood about this Indian movie made by Brits but that works as well and as entertainingly as everything else here. Despite a fair amount of subtitled dialogue (which is pretty stylized as it goes for subtitles) 80-90% of it is spoken in English and it’s instantly accessible so it’s sure to pick up even more acclaim and box office in the weeks to come.
SLUMDOG MILLIONAIRE is one of the best movies of the year for sure and will endure to be much more than a winner this awards season – I feel that for years to come it’s going to be a favorite of the same folks who can love AMELIE and an edgier work like GOODFELLAS equally. It has plenty of pure stultifying competition (got MILK?) out there in what’s shaping up to be a precedent setting prestige motion picture season, but from what I’ve seen so far this has the “fun factor” on its side in spades.