Showing posts with label Rialto Theater. Show all posts
Showing posts with label Rialto Theater. Show all posts

Thursday, September 29, 2016

STARVING THE BEAST: To Fund Or Not To Fund Higher Education


Opening Friday exclusively in the triangle area at the Rialto Theater in Raleigh:

STARVING THE BEAST (Dir. Steve Mims, 2016)


The full title of Austin,Texas-based filmmaker Steve Mims’ new documentary is STARVING THE BEAST: THE BATTLE TO DISRUPT AND REFORM AMERICA’S PUBLIC UNIVERSITIES, which is quite a mouthful.

But it’s perhaps an apt one because there’s a lot to take in info and opinion-wise with this doc about the arguments over funding or defunding in the U.S. higher education system.

For those who don’t know, the phrase “starving the beast” means a political strategy employed by American conservatives in order to limit government spending (thanks, Wikipedia!), so Mims’ film focuses on what narrator Brian Ramos describes as “one of the nation’s most important and least understood fights; a struggle between powerful forces that will shape every aspect of public higher education for generations to come.”

The film largely sets its eyes on the debate in Mims’ home state of Texas at the University of Texas and Texas A&M, but it also explores the conflicts that the University of Wisconsin (UW), University of Virginia (UV), University of North Carolina (UNC), and Louisiana State University (LSU) have had (and still have) with the issue.

Democratic guru James Carville sets the tone of the doc as it opens on his commencement address at his alma mater, LSU, in May of 2015, in which he heatedly denounces political advocate Grover Norquist and then Louisiana Governor Bobby Jindal for their attempts to commoditize education: “You can charge for it, you can raise tuition; it’s just another thing out there - it’s a barrel of oil, it’s an ounce of gold, it’s a stock, it’s anything.”

Carville appears throughout the film offering his matter-of-fact wisdom as one of the good guys in this debate – who the film is obviously on the side of, that is. Other folks on the good side providing insights include University of Georgia Professor Siva Vaidhyanathan, UNC Law Professor Gene Nichol, Peter Flawn, Ph.D. (President Emeritus, University of Texas at Austin), and former UT President Billy Powers.

The bad guys are led by teacher/author Jeff Sandefer, whose “Seven Breakthrough Solutions for Higher Education” proposal involving a market-driven approach to reforming college education had a fan in Governor Rick Perry. Unlike many of his comrades on the side of eliminating tenure, cutting arts programs, and running colleges more like businesses, Sandefer allowed himself to be interviewed for the film.

Sandefer is joined on the dark side by Wallace Hall, Regent of the University of Texas, Wisconsin Governor Scott Walker, the aforementional Norquist and Jindal, and the beyond evil Koch Brothers, who are, of course, pulling the strings behind the Republican party (there’s a great clip of Bernie Sanders eviscerating them at some hearing).

Professor Siva Vaidhyanathan maybe makes the clearest argument when he says “these reformers decided that universities were the problem, and so they got the problem exactly upside down. As a result they’ve started a pretty fervent political campaign to defund universities to shift the burden of the cost of universities to the students themselves, under this mistaken guise that students are consumers rather than students and future citizens, that the value of that student’s education belongs entirely to that student and to the society in general, not to the state, not to the nation, not to the world.”

This argument is compelling, but it gets a bit repetitive as variations of it keep coming. Producer Bill Banowsky said that the film is balanced and doesn’t show that it’s “the Jeff Sandefers and Wallace Halls are completely wrong and that James Carville is completely right,” but the sinister music that plays (courtesy of composer Graham Reynolds) when certain people are giving their views says different.


Not that I'm knocking that device here because it worked for me!

Now, the idea of seeing an doc about the subject of education funding full of wall-to-wall talk on top of statistics, TV news footage, newspaper headlines, scanned over internet articles, and even YouTube clips of interviews may sound boring, and may not be as appealing at some of your other movie choices out there, but STARVING THE BEAST packs a lot of info, viewpoints, and insights into its 95 minutes and for the most part sorts them out entertainingly.


It will help to have a modicum of interest in the subject of what’s wrong with the ideology behind higher education these days. Otherwise it’ll just be a smorgasbord of facts and theories to those who never paid attention in school to begin with.

* UNC Law Professor Gene Nichol will lead a Q & A after the Rialto Theater's 7pm screening of the new documentary STARVING THE BEAST on Friday, September 30th.

More later...

Monday, February 29, 2016

Oscars 2016: My Worst Score In Five Years


Last night, I watched the 88th Academy® Awards broadcast with friends and over 150 people at the Rialto Theater in Raleigh. There was a lot of laughter, and some gasps, at host Chris Rock’s hilarious opening monologue, which, of course, was completely about the whole #oscarsowhite controversy. You knew it was coming way before he walked out on stage to Public Enemy’s “Fight the Power,” but that didn’t lessen the impact of such lines as: “This year, in the In Memoriam package, it’s just going to be black people that were shot by the cops on their way to the movies.”


I’ve read that some folks think Rock went too far with some of his material, but I found it to be maybe the best Oscars opening monologue ever – at least the funniest. So were appearances by Louis CK, Sarah Silverman, and Sacha Baron Cohen as Ali G, but there were, as always, some bits that bombed like when CLUELESS actress Stacey Dash came onstage as the supposed new “director of the minority outreach program” and wished everyone a happy Black History Month to zero laughter, and Rock bringing his daughters out to sell girl scout cookies was pretty lame too.


Was happy to see Leonardo DiCaprio win for THE REVENANT - the lock of the night. Naysayers complain that his acting was just angry grunting, but I thought he put in a intensely passionate performance. Of course, in the Oscar tradition, this also majorly a win for his previously nominated work, so you got to factor in his terrific turns in THE WOLF OF WALL STREET, and THE AVIATOR among others. DiCaprio had a nice eloquent speech too.

Anyway, on to the actual awards. My predictions were really off as I had my worst score in five years: 16 out of 24. In 2012, my score was 15/24 (My best score was in 2014: 21/24). I had THE REVENANT down for Best Picture, it went to SPOTLIGHT, which I came very close to going with as it was my favorite film of 2015. THE REVENANT did win all the other categories that I predicted, including Alejandro G. Iñárritu for Best Director, making him the first person in 66 years to win the award two years in a row. With SPOTLIGHT and BIRDMAN’s wins last year, I guess I’ll know to vote for the Michael Keaton movie that is up for Best Picture next year.

Here are the eight predictions I got wrong:

BEST PICTURE: SPOTLIGHT (I picked THE REVENANT)

BEST SUPPORTING ACTOR: Mark Rylance for BRIDGE OF SPIES (I picked Sylvester Stallone for CREED)

ORIGINAL SONG: “Writing’s on the Wall” – Sam Smith from SPECTRE (I picked: “Til It Happens to You” from THE HUNTING GROUND)

BEST LIVE ACTION SHORT: STUTTERER ( I had SHOK down for this, I thought it would lose to AVE MARIA).

BEST DOCUMENTARY SHORT: A GIRL IN THE RIVER: THE PRICE OF FORGIVENESS (I took a stab in the dark with BODY TEAM 12)

BEST ANIMATED SHORT: BEAR STORY I missed all three of Best Short Film nominees, even though I’ve actually seen all of the Live Action and Animated ones. I guessed with my heart on these for sure.

VISUAL EFFECTS: EX MACHINA (I thought the Academy would throw a bone to the hugely successful STAR WARS: THE FORCE AWAKENS. My second choice would’ve been MAD MAX: FURY ROAD so I was going to lose this one either way.

COSTUME DESIGN: MAD MAX: FURY ROAD (I had picked Sandy Powell for CINDERELLA; my second choice was Powell for CAROL, so I really underestimated MAD MAX, which won 6 Oscars). I loved how Jenny Beavan, MAD MAX Costume Designer, looked like she could've been in the movie with her outfit:


So that's Oscars 2016. Despite my poor score, I had fun and I'm glad there were a few surprises.

More later...

Monday, March 03, 2014

Oscars 2014 Recap: Complete With Tweets!



I really enjoyed watching last night's broadcast of the 86th Academy Awards at the Rialto Theatre (pictured on the right) here in Raleigh. It was the first time showing the program for the 72 year old theater, and despite some lady cackling maybe a bit too much at host Ellen DeGeneres' schtick, it was a lot of fun to be in attendance.

I got my best Oscar predictions score ever, with only three wrong out of the 24 winners. I missed Best Documentary Feature which went to Morgan Neville's fine documentary about back-up singers, TWENTY FEET FROM STARDOM, because I thought since a music-centered doc (SEARCHING FOR SUGARMAN) won last year, it wouldn't happen this time around. I had thought for sure Joshua Oppenheimer's powerful but hard to watch doc about Indonesian death-squad leaders,THE ACT OF KILLING, would get the gold. Oh, well. Can't win 'em all.

The others I got wrong were the Best Live Action Short (I guessed THAT WASN'T ME), and Best Costume Design, which went to THE GREAT GATSBY (I guessed AMERICAN HUSTLE, which won nothing).

I wasn't that disappointed that one of favorite films of 2013, THE WOLF OF WALL STREET, didn't win anything because I didn't expect it to.

As for the rest of the show, here's some highlights from my live tweeting (follow @filmbabble) of the event last evening:

Ellen's monologue - not bad, about as risqué as she can get.

Best supporting actor: nailed it! Leto will next take on Jesus Christ Superstar.


Never caught up with what the hat means - Pharrell Williams-wise. 

2nd win for DALLAS BUYERS - setting it up for a major McConaughey moment.

Yes, MR. HUBLOT! It was the best animated short so I'm happy.

FROZEN - I picked it but still haven't seen it.

GRAVITY's first win for a tech award. There will be more.

Wow - HELIUM. Missed that. Oh well. 

Whoa - 20 FEET FROM STARDOM for best doc. Happy to be wrong here.

C'mon THE GREAT BEAUTY! Yes!

It's about time Tyler Perry got here.

Okay, U2 is U2-ing it up for a movie nobody has seen.


Biggest celebrity selfie ever?

I tell ya - every tech award goes to GRAVITY. 

Best shooter: GRAVITY again, of course. 

Whoopi will set us straight. 

Kelly Preston - still getting it done. @RealKevinBrewer * said that.

In memorial - decent picks n all - gotta end with PSH. 

John Travolta: "there will always be a place in my heart for really unrealistic hair"

Again GRAVITY. Yep. 

Damn, well maybe this bodes well for a 12 YEARS best pic win. 

Is this shaping up to be the most predictable oscars ever? Sure seems like it.

Seems like today everybody else is saying it was one of the most predictable Oscars ever, which it must have been if I got 21 out of 24 right! I was hoping for at least one big surprise, like, say, Jonah Hill or June Squibb winning, but it was a big breezy show that entertained me greatly. Definitely better than last year's Seth McFarlane mess.

* I recorded an episode of my friend Kevin Brewer's podcast, postmodcast, last week in which we discussed the legacy of the recently departed Harold Ramis, and chatted a bit about Oscar predictions. Please listen to it here.

I'll leave you now with my favorite moment from last night's big show:



More later...

Saturday, June 13, 2009

Hey, I Finally Saw...THE ROCKY HORROR PICTURE SHOW!


For decades the Rialto Theater in Raleigh has presented the cult classic THE ROCKY HORROR PICTURE SHOW every Friday at Midnight. Despite hearing many intriguingly amusing tales of sordid audience-interactive escapades that would occur during each showing, I had never attended before last night. 

I have seen parts of the movie on television and have heard songs from the soundtrack but knew those don't count compared to the actual experience. However I didn't expect to be branded a "virgin" with a lipstick "V" on my head and forced to do a dance move twist in a line mashed together with other virgins - but hey! If that's the drill then so be it.

After that stupid spectacle, the real stupid spectacle began - the movie started, and a cast of young folks (some looked like teenagers) mimicked the action onscreen. They came dressed like their respective characters and lip-synced their lines, some dead on, some less so. It was loud and chaotic, often indecipherable and yet it was a lot of fun. 

We threw rice, rolls of toilet paper, and playing cards (they sell prop bags if you come empty handed) at the crucial moments while obvious audience regulars shouted their snarky comebacks ("call backs" I'm told) at the screen.

My wife told me that it wasn't quite like the ROCKY HORROR shows she had seen in the past. Some of the "call backs" were new additions with recent references which I'm told on the internets, if applauded, are added to the ongoing repertoire. My wife also said the "underwear run" wasn't a part of any of the shows she had been to before (she had seen RHPS countless times at the now defunct AMC Fashion Village 8 in Orlando, Florida back in the late 80's and early 90's).


You might notice I'm not speaking about the plot (or lack thereof) and that's because it's the least important part of the whole shebang. The premise of a conservative couple (Barry Bostwick and Susan Sarandon - "Saran-wrap" goes one of the "call-backs") who, one dark and dreary evening, find themselves in a castle surrounded by sexual deviants holding an Annual Transylvanian Convention is just an excuse for extravagant musical numbers and outrageous sci-fi shenanigans. Tim Curry's transsexual Dr. Frank N. Furter with his Mick Jaggeresque delivery and slimy charm steals the show, but he has stiff competition from Meat Loaf in one uproarious rowdy rock number.


As a "movie guy" who just moved to Raleigh, I couldn't go much longer without finally taking in the Rialto tradition of RHPS. It didn't disappoint and it was fascinating to find out afterwards that the players call themselves The Low Down Cheap Little Punks - here's their website. If you haven't seen THE ROCKY HORROR PICTURE SHOW - I bet there's a theater near you that has the same tradition albeit a distinctly different presentation. 

It's impressive that this film that originally flopped and was bashed by critics became the ultimate midnight movie celebrated in cities all over the world every weekend. It's a great legacy for what is, honestly, a weird-ass off-kilter musical. But without a doubt, the outrageous spirit of it all wins out at every show.


More later...