Showing posts with label Chris Rock. Show all posts
Showing posts with label Chris Rock. Show all posts

Monday, March 28, 2022

Oscars 2022 Recap With The Most WTF Oscar Moment Ever

Last night, Rian Heder’s CODA won the Best Picture Oscar beating out THE POWER OF THE DOG, which I had predicted would win. But that wasn’t a surprise as CODA was exactly the kind of feel-good drama that the Academy of Motion Picture Arts and Sciences has rewarded many times over edgier, artsier fare. None of the other wins were surprises either as everyone, myself included, forsaw that Will Smith (KING RICHARD), Jessica Chastain (THE EYES OF TAMMY FAYE), Troy Kutsur (CODA), and Ariana DeBose (WEST SIDE STORY) would take home the gold; and that DUNE would have a tech Oscar sweep.

But what was a surprise, maybe even a shock, is the moment that everyone is talking about now, and has already entered into the realm of legend. You know what I’m talking about – Will Smith slapping Chris Rock because of a joke made at the expense of Smith’s wife, Jada Pinkett Smith. Pinkett Smith was sporting a shaved head due to her struggle with alopecia, an autoimmune disorder that leads to hair loss, and Rock, appearing as a presenter for the Best Documentary feature attempted to make light of this by quipping, “Jada, I love ya. GI Jane 2, can’t wait to see it!”

When Rock cracked this joke, the camera cut to this shot of Smith Laughing.


Then the camera cut back to Rock, who was trying to move on in his intro, but had to react (“Uh oh!”) to something we, the home viewers, couldn’t see yet. 



That would be Smith walking onstage towards Rock. It appeared that between the above shot of Smith’s initial laughter, and the long shot of his approaching the presenter, he had seen his wife’s disapproving face, and felt he had to handle the situation.

 

This is where the sound went off on the ABC broadcast, and I watched in WTF silence as Smith slapped Rock then walked back to his seat. In an exchange that I, and many viewers, didn’t hear until later, Rock, litterally trying to keep a good face, said, “Will Smith just smacked the shit out of me,” to which Smith yelled from his chair, “Keep my wife's name out of your f***ing mouth!”

 

Rock, keeping composure, said, “Wow, dude, it was a G.I. Jane joke.” Smith again raised his mouth and with more emphasis repeated, “Keep my wife's name out of your f***ing mouth.” This completely quieted the entire Dolby Theater. It was the moment that we all realized that this wasn’t a bit. Smith was completely serious. “I’m going to,” Rock replied, also as serious as a heart attack. The stunned silence remained until Rock did what he could to reclaim the stage, and the night, with a joke that acknowledged that this was sure to be a much remembered event: “That was, uh, greatest night in the history of television.”


A shaken Rock went forward with his presenting duties, and the show went on. Smith, when accepting the Best Actor award, also was a bit off, leaving one to wonder which parts of what he was saying were prepared or improvised. His apology to the Academy, and his fellow nominees appeared to be referring to the instance with Rock, as did his summation through tears: “love will make you do crazy things.”


One could argue that Rock’s joke on Jada wasn’t really that offensive, especially in the context of the celebrity roast element of the proceedings. I mean, G.I. Jane is a strong female character, and there are tons of other bald targets that would’ve been more insulting, but in the big public arena that is the Oscars, it was calling attention to the actresses’ appearance in a cheap way, and the audience’s reaction was that it was a cruel jab at Jada.

"There’s like, a different vibe in here...," co-host Amy Schumer remarked later in the evening. This line was funnier than most of the material during the broadcast as so many scripted lines fell flat, and prepared bits such as co-hosts Wanda Sykes, Regina Hall, and Schumer dressing up as coach Richard Williams, televangelist Tammy Faye Bakker, and Spider-Man were just the epitome of lame award show fodder.

One of the only clever moments for me was the PULP FICTION reveal of the Best Actor envelope.


But despite a few funny lines (I loved Schumer’s DON’T LOOK UP diss: “I guess the Academy members don’t look up … reviews!”), some genuinely touching acceptance speeches (Troy Kutsur, and Questlove’s particularly), and the cool James Bond 60th retrospective video set to “Live and Let Die,” this was one of the lamest Oscars ever.

For example, the In Memorium was mishandled with a choir (singing such appropriate numbers as “Spirit in the Sky”), and dancers drawing attention away from the faces and names of those in the industry who have passed in the last year. There was the nice touch of having tributes presented by Bill Murray for director Ivan Reitman, and Jamie Lee Curtis for Betty White, but there was an awkward air surrounding the segment that felt creepy to watch. And, of course, there were ommisions (Bob Saget, Norm Macdonald, Ed Asner, Robert Downey Sr. to name several).


Honestly, creepy would be a good word to describe the whole event. The Oscars have often been a cringe-fest, but this time the dials were going crazy into the red warning danger-danger zone over and over. 

The Rock/Smith altercation did bring attention to the event - something the Academy (and ABC) was desperate for after years of bad ratings, and audience indifference - but I doubt it will translate into future relevance.

The 94th Academy Awards ceremony will go down in history for Smith’s shocking, awful reaction to Rock’s hosting duty diss. It sure livened up the show, but in such an unnecessary, and unfortunate way. Like everyone I see on social media who is debating about the moment right, I’m still processing what went down. Even after writing this, all I can think of is what Rock said right after the smackdown landed: “Oh, wow…WOW!”

So it was the most WTF moments in Oscar history on one of the lamest, most cringe-festiest Oscars ceremony ever. Yeah, years and years from now, we’ll all still look back at this one and wince.

More later...

Monday, February 29, 2016

Oscars 2016: My Worst Score In Five Years


Last night, I watched the 88th Academy® Awards broadcast with friends and over 150 people at the Rialto Theater in Raleigh. There was a lot of laughter, and some gasps, at host Chris Rock’s hilarious opening monologue, which, of course, was completely about the whole #oscarsowhite controversy. You knew it was coming way before he walked out on stage to Public Enemy’s “Fight the Power,” but that didn’t lessen the impact of such lines as: “This year, in the In Memoriam package, it’s just going to be black people that were shot by the cops on their way to the movies.”


I’ve read that some folks think Rock went too far with some of his material, but I found it to be maybe the best Oscars opening monologue ever – at least the funniest. So were appearances by Louis CK, Sarah Silverman, and Sacha Baron Cohen as Ali G, but there were, as always, some bits that bombed like when CLUELESS actress Stacey Dash came onstage as the supposed new “director of the minority outreach program” and wished everyone a happy Black History Month to zero laughter, and Rock bringing his daughters out to sell girl scout cookies was pretty lame too.


Was happy to see Leonardo DiCaprio win for THE REVENANT - the lock of the night. Naysayers complain that his acting was just angry grunting, but I thought he put in a intensely passionate performance. Of course, in the Oscar tradition, this also majorly a win for his previously nominated work, so you got to factor in his terrific turns in THE WOLF OF WALL STREET, and THE AVIATOR among others. DiCaprio had a nice eloquent speech too.

Anyway, on to the actual awards. My predictions were really off as I had my worst score in five years: 16 out of 24. In 2012, my score was 15/24 (My best score was in 2014: 21/24). I had THE REVENANT down for Best Picture, it went to SPOTLIGHT, which I came very close to going with as it was my favorite film of 2015. THE REVENANT did win all the other categories that I predicted, including Alejandro G. Iñárritu for Best Director, making him the first person in 66 years to win the award two years in a row. With SPOTLIGHT and BIRDMAN’s wins last year, I guess I’ll know to vote for the Michael Keaton movie that is up for Best Picture next year.

Here are the eight predictions I got wrong:

BEST PICTURE: SPOTLIGHT (I picked THE REVENANT)

BEST SUPPORTING ACTOR: Mark Rylance for BRIDGE OF SPIES (I picked Sylvester Stallone for CREED)

ORIGINAL SONG: “Writing’s on the Wall” – Sam Smith from SPECTRE (I picked: “Til It Happens to You” from THE HUNTING GROUND)

BEST LIVE ACTION SHORT: STUTTERER ( I had SHOK down for this, I thought it would lose to AVE MARIA).

BEST DOCUMENTARY SHORT: A GIRL IN THE RIVER: THE PRICE OF FORGIVENESS (I took a stab in the dark with BODY TEAM 12)

BEST ANIMATED SHORT: BEAR STORY I missed all three of Best Short Film nominees, even though I’ve actually seen all of the Live Action and Animated ones. I guessed with my heart on these for sure.

VISUAL EFFECTS: EX MACHINA (I thought the Academy would throw a bone to the hugely successful STAR WARS: THE FORCE AWAKENS. My second choice would’ve been MAD MAX: FURY ROAD so I was going to lose this one either way.

COSTUME DESIGN: MAD MAX: FURY ROAD (I had picked Sandy Powell for CINDERELLA; my second choice was Powell for CAROL, so I really underestimated MAD MAX, which won 6 Oscars). I loved how Jenny Beavan, MAD MAX Costume Designer, looked like she could've been in the movie with her outfit:


So that's Oscars 2016. Despite my poor score, I had fun and I'm glad there were a few surprises.

More later...

Friday, February 26, 2016

Hey Kids! Funtime 2016 Oscar Predictions!




I know some folks are boycotting The 88th Academy Awards Ceremony, which is broadcasting this Sunday, February 28th, because of the #oscarsowhite thing, but I bet most of those people will still watch Chris Rock’s opening monologue (at least a clip of it the next day). I’m anxious myself to see what the guy has to say about the lack of diversity controversy, as you just know he’s going to kill on the subject.

As for the rest, this year's Oscars appears to be harder to predict than most years as THE REVENANT and SPOTLIGHT seem to be head to head, with THE BIG SHORT being a possible upset. I’ve even seen some folks predicting ROOM but that’s even a wilder card. It so seems to be Leonardo DiCaprio's (and his film's) year and I'm cool with that, and MAD MAX: FURY ROAD looks to sweep the technical awards, but, as always, here's hoping for some surprises.

My predictions:

1. BEST PICTURE: THE REVENANT



2. BEST DIRECTOR: Alejandro G. Iñárritu for THE REVENANT

3. BEST ACTOR: Leonardo DiCaprio. It will truly be a shocker if he doesn't get the gold this year.

4. BEST ACTRESS: Brie Larson for ROOM.

5. BEST SUPPORTING ACTOR: Sylvester Stallone for CREED

6. BEST SUPPORTING ACTRESS: Alicia Vikander for THE DANISH GIRL


And the rest:


7. PRODUCTION DESIGN: MAD MAX: FURY ROAD

8. CINEMATOGRAPHY: Emmanuel Lubezki for THE REVENANT

9. COSTUME DESIGN: Sandy Powell for CINDERELLA. Powell is also up for CAROL, which may have the edge.


10. DOCUMENTARY FEATURE: AMY

11. DOCUMENTARY SHORT: BODY TEAM 12

12. FILM EDITING: MAD MAX: FURY ROAD

13. MAKEUP: MAD MAX: FURY ROAD

14. VISUAL EFFECTS: STAR WARS: THE FORCE AWAKENS


15. ORIGINAL SCORE: Ennio Morricone, THE HATEFUL EIGHT

16. ORIGINAL SONG: “Til It Happens to You” from THE HUNTING GROUND

17. ANIMATED SHORT: Most critics are predicting Pixar's SANJAY'S SUPER TEAM, and I won't be surprised if that wins, but I'm gonna go with THE WORLD OF TOMORROW, which has a lot more food for the thought than all of the other shorts.

18. LIVE ACTION SHORT: SHOK

19. SOUND EDITING: MAD MAX: FURY ROAD

20. SOUND MIXING: MAD MAX: FURY ROAD

21. ORIGINAL SCREENPLAY: Josh Singer & Tom McCarthy, SPOTLIGHT

22. ADAPTED SCREENPLAY: Charles Randolph and Adam McKay, THE BIG SHORT

23. ANIMATED FEATURE FILM: INSIDE OUT

24. BEST FOREIGN FILM: SON OF SAUL


As I always say, tune in Monday to see how many I got wrong.

More later...

Friday, December 12, 2014

TOP FIVE: The Film Babble Blog Review


Opening today at a multiplex near you:

TOP FIVE (Dir. Chris Rock, 2014)


Finally, a good Chris Rock movie!

Yes, the third time is definitely the charm in the actor/comedian’s latest directorial effort after the critical and commercial flops that were HEAD OF STATE (2003) and I THINK I LOVE MY WIFE (2007).

In the semi-autobiographical TOP FIVE, Rock portrays movie star funnyman Andre Allen, who just like Rock’s idol Woody Allen in STARDUST MEMORIES, repeatedly says “I don’t want to make funny movies anymore.”

Rock’s Allen wants to hang up the bear costume he wore in the “Hammy the Bear” comedy buddy-cop franchise and be taken seriously in a historical drama about Haitian revolutionary Dutty Boukman called “Uprize,” which looks like a boring piece of Oscar bait.


Shades of TROPIC THUNDER, shades of Entourage, shades of every movie satirizing celebrity, but that’s so not a bad thing in these capable hands.

The film centers around Rock doing publicity for “Uprize” on its opening day, which is on the eve of his much hyped wedding to Gabrielle Union as socialite/reality TV star Erica Long.

In one of her most appealing performances, Rosario Dawson plays a New York Times reporter doing a profile on Rock, which he has mixed feelings about because the Times film critic, the fictitious James Nielson, has panned all his previous output.

With Rock and Dawson tooling around New York conversing about everything from PLANET OF THE APES to appraising favorite comic icons (Rock calls Charlie Chaplin “the KRS-One of comedy”), TOP FIVE can been seen as a “hangout movie.” Especially in a scene in which they visit Rock’s childhood home and chill with his family and childhood friends, mostly made up of SNL alumni including Jay Pharoah, Leslie Jones, and most hilariously, yet also sadly, a pre-accident Tracy Morgan, in which they discuss their individual top five rappers of all-time.

The laughs are consistent throughout, though some of the less successful bits concern relationship stuff. When Dawson catches her boyfriend cheating with another man and recounts via flashbacks how she should’ve known he was gay because of his anal fixation, it comes across like a throwaway joke sequence on the sitcom The Mindy Project, and not just because Dawson’s boyfriend is played by Anders Holm, who had an arc as one of Mindy Kaling’s suitors.

Otherwise, Rock, who unlike on his other films as director wrote this without a co-writer, has constructed a solid, thoughtful comedy that gives a bunch of his talented friends a chance to shine. 

An extended strip club scene, another of the many points in which the movie earns its hard R-rating, has funny turns by Jerry Seinfeld (you haven’t lived until you’ve seen Seinfeld make it rain at a strip club), Whoopi Goldberg, and Adam Sandler (funnier than he's been in a while on the big screen) playing themselves, and in another laugh out loud bit set in a jail cellblock, DMX sings and somehow nails Chaplin’s “Smile” in an unironic manner. J.B. Smoove and Cedric the Entertainer also amuse in their sideline roles. If you're a comedy fan at all, you won't want to miss this movie.

Resembling a hip (or hip hop) take on prime period Woody Allen, TOP FIVE is a bit uneven, and it won’t make my actual top 5 (or top 10) of movies of the year, but it’s an immensely enjoyable and heartfelt project that’s a big leap forward for Rock. Here’s hoping he builds on it – i.e. makes more ambitious and worthwhile work – instead of going back to the same ole crap.


In other words, I hope he makes like his character turning down another Hammy movie, and doesn’t take the call asking him to appear in GROWN UPS 3.

While movies like GROWN UPS and the assorted rom coms and animated films that have dominated his career of late have made me forget how crucial Rock can be, TOP FIVE really reminded me big time.


More later...