Seeing CITIZEN KANE At The Cary

Last weekend I attended a 2 pm Sunday afternoon showing of Orson Welles’ immortal 1941 classic CITIZEN KANE at the newly restored venue, The Cary Theater in Cary, N.C.

I’ve been meaning to check out the theater since it re-opened earlier this year, especially since I’ve written a bunch of blurbs about their special screenings for the Raleigh N & O (like this one).

I was very impressed. Originally built in 1946, The Cary, which was an auto parts store most recently, has been beautifully renovated into a cozy 180 seat theater with shiny wood finish paneling, modern lighting, and state of the art sound system. The 6 million the town of Cary put into the place sure shows.

Now, I’ve seen CITIZEN KANE many times over the years on screens both big and small – I’m in the camp that considers it one of the greatest movies ever and all that. Unfortunately just like the last time I saw the film, at the Varsity Theater in Chapel Hill several years ago, it was in the wrong aspect ratio.

This isn’t the theater’s fault – from what I gather, the version of KANE that’s available for digital presentation is cropped for the image to fit the entire screen instead of its original “Academy Ratio.”

In the last few weeks, many bitched that the bulk of The Simpsons “every episode” marathon that FXX aired from August 21st to September 1st. was in the wrong aspect ratio but that didn’t really get in the way of my enjoyment of the large chunks of it that I took in.

Same with KANE as I enjoy the film so much, but the film purist inside of me was a bit pissed off.

Anyway, most of the people at the very well attended screening were seniors so I was one of the youngest people there, but not the youngest as I saw a few college aged folks, and maybe a couple of teens.

This was notable because I keep hearing that younger generations dislike KANE, mainly because they feel that it’s been overhyped as “the greatest movie ever.” Joel Frady, a local film critic friend, told me that he thought the film was “boring!” and I heard the same opinion (the same word with the same exclamation point) expressed by a 20-year old co-worker not long ago.

This baffles me because Welles' film, via dazzling visual techniques, sharp acting (by Welles and his Mercury Theater Players), and delicious dialogue, (written by Welles with Herman J. Mankiewicz who won a Best Screenplay Oscar) so swiftly tells its intriguing tall tale that I can’t understand how someone could be bored by it. Where in the midst of this rich vivid masterpiece is there time to yawn?

Dissolve critic Nathan Rabin recently posted this on Facebook:

“Calling something ‘boring’ or ‘dull’ has to be among the weakest, laziest criticisms. This is especially true when used to argue that something is overrated. Writing, ‘A lot of people claim Citizen Kane or The Miseducation of Lauryn Hall are great, well guess what: they’re actually boring’ says nothing about the art they’re ostensibly supposed to critique and a lot about the writer’s need to pass their own subjective judgements off as bold universal truths people are afraid to embrace.”

Amen. But there are dissenters who when they elaborate can make some valid points. I just haven’t heard any lately about KANE that didn’t seem like reactionary “I don’t see what all the fuss is about” blather.

If you have a anti-KANE stance though, let me hear about it in the comments section below. Just remember this Marc Maron quote before posting:

“If you find yourself dismissing universally acclaimed landmark achievements, saying, for example, ‘The Godfather is an okay movie,’ you might be bitter.”

More later...

The Best Of The Goodbyes To Blockbuster

Truth be told, the empty Blockbuster above closed way before the recent announcement that the company was closing every last store. I drive past it a lot since it's near the vet my wife and I take our cats to, but it's telling that I never stepped inside it when it was open.

Although I have a lot of video store experience, I never worked at a Blockbuster. I worked at several North Carolina competitors - Video Review, North America Video, Action Video, and finally VisArt Video (a few of these are still in business) - which were often the stores that people would go to when they couldn't find what they wanted at Blockbuster. None of these places had much of a dress code, so I was happy I never had to wear the khaki pants and blue Oxford shirt Blockbuster employees had to wear, but I do remember being envious at how clean their stores were.

Anyway, a bunch of folks online (and on TV) have been saying goodbye to the chain, so I thought I'd share some of what I think are the best of the obits.

First up, this amusing photo taken at a Hawaii Blockbuster tweeted by @blockbuster went viral last week:

It was accompanied by the tweet: The last BLOCKBUSTER rental 11/9 Hawaii 11PM @ThisIsTheEnd #BlockbusterMemories @Sethrogen @JamesFrancoTV @JonahHill

Seth Rogen, the star, co-writer and co-director of the last film rented, THIS IS THE END, saw this post and tweeted:

“@blockbuster: The last BLOCKBUSTER rental 11/9 Hawaii 11PM @ThisIsTheEnd #BlockbusterMemories http://ow.ly/i/3GRDZ ” this is nuts and sad

Nathan Rabin, formerly of the A.V. Club, was once a Blockbuster employee himself, and he wrote this  heartfelt farewell for dissolve.com:

“R.I.P. Blockbuster: A Conflicted But Sincere Video Store Requiem”

Last weekend, Saturday Night Live jumped into the saying goodbye to Blockbuster game with a digital short featuring Bobby Moynihan, Taran Killam, Beck Bennett, and Michael Patrick O'Brien as Blockbuster employees who find it hard to cope when learning that the store is done. Host and musical guest Lady Gaga cameos in the clip as some kind of queen of VHS/DVD rentals that the guys hallucinate in their desperate stupor. Check it out:

Over at rogerebert.com, Matt Zoller Seitz put together a collection of tweets in which folks wrote lyrics (sometimes full songs) in the style of Bruce Springsteen about Blockbuster's demise: 

“They Closed Down The Video Store In Philly Last Night: Laments For Blockbuster In The Style Of Bruce Springsteen”

It's funny, and actually touching stuff, including a choice submission by a friend of Film Babble Blog, William Fonvielle, of Filmvielle.

Another friend pointed out this piece by Alex Pappademas at grantland.com:

“Blockbuster Video: 1985-2013”

Finally, there's this good thoughtful read at esquire.com by S.T. Vanairsdale:

“What We'll Lose When We Lose Blockbuster”

So farewell Blockbuster, I'll salute you every time I drive by your abandoned store on Capital Boulevard here in Raleigh, even after they open something else there. Now I'm gonna go watch something on Netflix Instant.

More later...

Ongoing Adventures In Altman Appraisal

Seeing all of the films that iconic director Robert Altman made in his half century career can be quite a task these days.

Several titles have never been released on DVD (including BREWSTER McCLOUD, HealH, and COME BACK TO THE FIVE AND DIME, JIMMY DEAN, JIMMY DEAN) and one of his first features, COUNTDOWN, is only available as part of Warner Archives Collection’s “Burn On Demand” series so you can’t get it from Netflix.

Recently, inspired by reading the excellent “Robert Altman: The Oral Biography” by Mitchell Zuckoff, I’ve been catching up with the handful of movies of Altman’s movies that I haven’t yet seen. These 3 films are easily available but still fairly obscure - here are my thoughts:

THE JAMES DEAN STORY (1957)

The opening titles of this - one of the very first bio-docs ever - declare that this is “a different kind of motion picture.” They go on to explain: “The presence of the leading character in this film has been made possible by the use of existing motion picture material, tape recordings of his voice, and by means of a new technique – dynamic exploration of the still photograph.”

Serious Series Addiction: The Wire, Lost, & The Prisoner (1967)

-->

Despite this being “Film Babble Blog” I do babble about TV shows every now and then. This is one of those times.

I had only 2 New Year’s resolutions this year – to exercise more and to finish all 5 seasons of The Wire. I dug my wife’s old exercise bike out of the garage and set it in front of the TV so I could do both. I had begun The Wire sometime last year but put it on the back burner, not because I didn’t like it but because of the many movies that were ahead of it on my list of priorities.

After hearing so many folks refer to it as “the greatest TV series ever” I decided it was time to fully see what all the fuss is about. Over the last few weeks I’ve been pedaling away on the bike devouring one episode after another of David Simon’s exemplary Baltimore crime drama.

I am now on season 5 episode 4 and have lost over 10 pounds in the process.

I learned that a friend of mine was also making his way through The Wire after he got the full series as a Christmas gift. Talking to him on IM he spoke of other friends that were catching the bug as well.

Then, just this week, Onion AV head writer Nathan Rabin posted a piece for their ongoing “Better Late Than Never” feature about finally watching the show’s first season so it seems the show is slowly but surely searing its way into our collective pop culture psyche.

If you’ve never seen The Wire – it can be a daunting undertaking because it’s very complex with a lot of characters and can be hard to follow at first. It seemingly gives equal time to the good, the bad, and the ugly from sleazy politicians to the cops on the beat right down to the lowest level druggie scum with a level of authenticity that’s astounding. It stands with The Sopranos as a novelistic epic and as one of the most engrossingly addictive shows ever.

The Wire isn’t the only show I’ve been pedaling to recently. Since I’ve had to wait for discs of it to come in the mail from Netflix I’ve been checking out what’s available now on Instant.