THE EXPENDABLES 3: The Film Babble Blog Review

Opening today at a multiplex near you:

THE EXPENDABLES 3 (Dir. Patrick Hughes, 2014)

If you don't know the drill by now, it goes like this: Sylvester Stallone assembles a cast of every action movie star ever into a summer blockbuster filled with explosions and fantastically stupid stunts in hopes that every action movie fan ever will go see it.

So far it’s worked - both 2010's THE EXPENDABLES, and its 2012 sequel were huge hits despite largely negative critical reaction.

So here’s the third one, directed by Australian filmmaker Patrick Hughes, whose only previous feature length credit is the little seen thriller RED HILL.

This time, the mercenary group headed by the smug 68-year old Stallone goes up against Mel Gibson as a former Expendable gone rogue. 

The bare bones of the plot-line: On a team mission in Somalia, Crews gets shot in the ass (that’s right) by evil arms trader Gibson, which causes a guilt ridden Stallone to disband his crew, made up of the returning Jason Statham, Jet Li, Dolph Lundgren, Randy Couture, Terry Crews, and Arnold Schwarzenegger. Stallone hires new Expendables (Kellan Lutz, Ronda Rousey, Glen Powell, and Victor Ortiz) to help him bring down Gibson, but he captures the new recruits so the old members get back together to go save them.

A less crabby than usual Harrison Ford fills in for Bruce Willis as the gang's CIA contact, a slick Wesley Snipes, and a constantly jibber jabbering Antonio Banderas are on hand as a new “old” Expendables, and Kelsey Grammer, for some reason, appears as a retired mercenary who helps Stallone find the new blood.

There’s way less dumb fun as the second installment, but it’s still much better than the first, although it shares that film’s draggy down times. 

It’s surprising that three writers (Stallone with Creighton Rothenberger and Katrin Benedikt) are credited for the screenplay, because most of the dialogue has a real make-it-up-as-we-go feel to it especially when it comes to lines like “You were stupid enough to get yourself into this mess! And we're the only ones crazy enough to get you out of it.”

Another favorite bad line, “Morons need friends,” could serve as the movie’s motto, and just about everything that Schwarzenegger says is funny as Hell - especially his callback to PREDATOR: “Get to the Chopper!” 

The climax, taking place in an abandoned building in Bulgaria that Gibson has rigged with C4, is the most successful set-piece sequence, a reward of sorts for being able to get through the excruciating boredom of the bulk of the film.

It, of course, all comes down to hand-to-hand combat between Stallone and Gibson right up to the building being detonated, because what action film doesn’t end with the protagonist and antagonist facing off? You know, like in FACE/OFF?

Except for some jokes made about their elders’ advancing age (“That would be a good plan, if it was still 1985” one quips about Stallone’s proposed strategy), the new Expendables don't make much of an impression, except for Rousy, a UFC Women’s Bantamweight Champion in real life, but that’s really only because she’s the only woman present.

Ford is amusing in his role, showing off his helicopter piloting skills, and I almost believe him when he says at the end that the adventure “was the most fun I've had in years.”

Gibson makes a great scenery chewing adversary, you know, the kind of vicious villain that kills his henchmen if they fail. He certainly makes the most of being the guy that audiences love to hate, even without saying anything racially insensitive.

But this is Stallone’s show, and overall I like how he’s re-branded himself with this franchise. It’s so much more preferable to him putting out Rambo and Rocky sequels for the rest of his life, but it’s disappointing that this sloppily executed old school action exercise doesn’t go for the so-bad-it’s-good gold until the last 15 minutes.

I also hate that it's the first EXPENDABLES that's rated PG-13. I really miss the blood splatter.

More later...

Woody Allen’s Newest & A Postmodcast Tribute To Robin Williams

Woody Allen's new film MAGIC IN THE MOONLIGHT, his 45th feature as writer/director, releases today in the Triangle area. Here's where my review can be found:

“A little moonlight but no magic in Woody Allen’s latest” (Raleigh News & Observer, 8/14/14)

A subject that's been impossible to shake this week has been the devastatingly sad and shocking death of actor/comedian Robin Williams.

I posted my picks for his top 10 films (Film Babble Blog's Top 10 Robin Williams Films), then discussed William's illustrious yet fairly spotty career with Kevin Brewer on the podcast, postmodcast, which you can access here: 

Postmodcast: Robin Williams (Raleigh & Company, 8/13/14)

Coming soon: A review of THE EXPENDABLES 3, which also opens today, and a three episode series of postmodcast celebrating the 30th anniversary of 1984, in which Kevin and I will look back at the music, movies, and TV of that banner year. Please stay tuned.

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Sly & Ahnold's Buddy-Convict Flick ESCAPE PLAN Is A B-Movie Blast

Now playing at a multiplex near you:

ESCAPE PLAN (Dir. Mikael Håfström, 2013)

There’s just no way Sylvester Stallone and Arnold Schwarzenegger can make a movie together that isn’t a throwback to their ‘80s action heyday. It's simply impossible.

Of course, THE EXPENDABLES movies have been there and done that (and will again), but this shiny formulaic prison break movie, a buddy-convict flick if you will, proves that maxim all over again.

The graying former rivals (they never would’ve appeared in each others’ movies during the Reagan era) here play fellow inmates in a secret state of the art maximum security facility that highly resembles the futuristic prison in John Woo’s FACE/OFF – you know, the ‘90s over-the-top action film in which John Travolta and Nicholas Cage traded faces? Yeah, I thought you’d remember.

Anyway, Stallone plays a “secure structure expert,” who is employed by various contractors to break out of prisons to test the strength of their security. The CIA hires him to go undercover to their new high-tech super prison to find the flaws in their system, but his methods are immediately compromised by a truck full of thugs who abduct him and remove the G.P.S. tracker embedded in his arm.

This leaves his staff including Amy Ryan (The Wire, The Office), and Curtis “50 Cent” Jackson scrambling to find his location, while his boss (Vincent D’Onofrio) seems less concerned, obviously because he was involved in the set-up.

Jim Caviezel (PASSION OF THE CHRIST, Person Of Interest), as the sinister as can be Warden, knows Stallone’s real identity (he even uses Stallone’s book on building an escape-proof prison as a reference guide), and has evil plans to use Stallone and Schwarzenegger to find the whereabouts of a never seen terrorist mastermind named Manheim.

If that last paragraph seemed a bit hard to follow, it really doesn’t matter as its just mysterious background fodder to the main action dealing with escaping from the prison which turns out to be located inside an oil tanker somewhere in the middle of the ocean. See what I mean about the prison’s similarity to FACE/OFF?

In the midst of these convolutions, Schwarzenegger has the best lines, like “You hit like a vegetarian,” while Stallone does his stoical man in deep thought thing, and there is juicy turn by Vinne Jones as a sadistic guard. A not so juicy turn is put in by the odd casting of Sam Neill as a prison doctor who so seems like he’d rather be anywhere else.

ESCAPE PLAN is smarter than THE EXPENDABLES movies, but it's still really stupid. However, hardcore fans who’ve been waiting for the duo of the Italian Stallion and Ahnold to break away from the EXPENDABLES ensemble of aging action stars and do a true buddy film where they kick a lot of ass together will surely find it to be explosively entertaining.

As someone who’s not particularly a big fan of either heavy weight, but has come to appreciate their brands over the years, I found it to be a B-movie blast. It has the look, feel, and gusto of Stallone and Schwazenegger’s greatest guilty pleasures – consider it LOCK UP meets COMMANDO. No self-deprecating jokes about being aging relics this time around, just good ole '80s-style action 101.

More later...

Blu Ray Reviews: THE EXPENDABLES 2 & A Stallone 3-Fer

And now, what Film Babble Blog readers (all six of them) have been waiting for: A Stallone-centric post!

THE EXPENDABLES 2
(Dir. Simon West, 2012)

Sylvester Stallone and his army of aging action movie icons are back in this big noisy sequel that’s actually better than the first one. Don't get me wrong - it's a bad movie, but it's a much more gloriously stupid experience the second time out.

2010’s THE EXPENDABLES only had a grasp on half a formula, but the follow-up is full on formula and much more big dumb fun. 

It also tops the first one by having much more of Arnold Schwarzenegger, and Bruce Willis, who both just put in cameos in the original, and it has a lot more explosions - the first 10 minutes feels like it’s packed with more explosions than in Michael Bay’s entire career! There’s a lot more CGI-ed blood splatter too.

This time, Stallone along with Jason Statham, Jet Li, Dolph Lundgren, Randy Couture, and Terry Crews, (Steve Austin doesn’t return, and sadly there’s no Mickey Rourke) are taking on Jean-Claude Van Damme as an evil arms dealer. 

There’s a new Expendable, the young Liam Hemsworth, but the second he starts talking about one last mission before he goes home to his girlfriend we know he’s going to die (my wife called it, and she was on her laptop not even really paying attention to the movie).

As if Stallone, along with co-writer Richard Wenk, knew that there was way too much testosterone on the screen, we’ve also got the addition of Chinese actress Yu Nan, as a CIA agent brought in by Willis. Nan is in charge of the movie’s MacGuffin, a computer that contains the location of tons of plutonium, but is it any surprise that the plot doesn’t matter?

It’s just an excuse to get all these guys together for a bunch of shoot-outs, stunts, quick-cut instances of hand to hand combat, and, yep, ginormous explosions all set in Foreign locales (Bulgaria, China).

The film really falters in its downtime when we are reminded that these guys aren’t great actors, something the horribly written dialogue immensely highlights. 

Willis, maybe the best actor here, is given what’s possibly the single worst line of 2012: “For all this male pattern badness I’ve got to put you in the deepest darkest hole at Gitmo.”

There’s more humor here than before too, albeit some is unintentional, like when Chuck Norris in what amounts to a cameo, throws a bad guy out a window yet still fires his machine gun at him. 

Also there’s a bunch of shout-outs to the principal’s previous roles - Schwarzenegger, who is told that he may be terminated, mocks Willis’ “Yippee Ki Yay” catchphrase from DIE HARD, Rambo is mentioned, and Norris’ nickname is “Lone Wolf.” That’s fine by me, these guys can self reference all they want, it only adds to the film’s awareness that it’s a colossal collection of action movie clichés, a thorough homage to the genre’s ‘80s heyday.

Stallone was right to hand over direction duties to Simon West. West (CON AIR, the first LAURA CROFT) is no wunderkind, but his handling of all this noisy spectacle, along with veteran action cinematographer Shelly Johnson, comes together much more cohesively than Stallone’s ham fisted helming of the first one.

My biggest complaint is that for a Blu ray of a new movie, the image is really grainy, grimy even, and out of focus at times, but I’ve read that it looked that way in theaters. Maybe that’s just keeping in line with how crappy visually the ‘80s action standards this movie apes were, but I doubt it was that intentional.

Special Features: By far the best of the bonus material is a half hour featurette called “Big Guns, Bigger Heroes,” which puts THE EXPENDABLES movies in their proper context by examining the rise of the action film genre in the Reagan era. Other features include an audio commentary by Simon West, featurettes entitled “Gods of War,” “On the Assault,” “Guns For Hire” (about real life government mercenaries for hire), a couple of minutes of deleted scenes, and a gag reel.

Bonus Blu ray review:

Released last August right when THE EXPENDABLES 2 hit theaters, was a 3 film collection of Stallone titles: RAMBO: FIRST BLOOD, COP LAND, and the lesser known LOCK UP.

I’m not usually a fan of those DVD or Blu ray deals that you see for sale in supermarkets or big- box stores that package random films together or in this case, three films by a well known actor, but if you’re a fan and are running out of shelf space, maybe they’re ideal. It doesn’t bode well that the Blu ray cover sports an image of Stallone with a mustache and shades that’s not from any of the films in the set (it’s from GET CARTER), but the movies aren’t bare boned like in other packages; they feature all the bonus materials that accompanied their DVD special editions.

Makes me wonder why they didn’t just package the first 3 Rambo movies together, but I digress. The first Rambo film, originally just titled FIRST BLOOD (Dir. Ted Kotcheff, 1982), holds up as Stallone as his sweaty best as a dead-eyed Vietnam vet taking on the entire police force of a small town in Washington, largely because the local hard-ass Sherriff (Brian Dennehey) is an asshole.

Dennehey thinks Stallone is just an aimless drifter, but a grizzled Colonel (Richard Crenna) corrects him: “You don't seem to want to accept the fact you're dealing with an expert in guerrilla warfare, with a man who's the best, with guns, with knives, with his bare hands.” So Rambo builds traps, destroys a lot of property with a machine gun, and blows up buildings (there were a lot more explosions than I remember when I saw it as a kid), but actually doesn’t kill anybody.

Stallone, who co-wrote, gives a crazed cried-out speech at the end, that plays the sympathy card for Vietnam vets who got a raw deal for what it’s worth, then a laughably dated power ballad (“It’s a Long Road,” written by Jerry Goldsmith, sung by Dan Hill, whoever that is) plays over the end credits. Great cornball stuff through and through that’s been satirized a zillion times yet still packs a whallop. Funny how the picture quality of the FIRST BLOOD Blu ray is a lot sharper than THE EXPENDABLES 2 Blu ray too.

Special features include the alternate ending in which Rambo dies, a half hour featurette (“Drawing First Blood”), and two commentaries – one by Stallone, the other by writer David Morrell.

An odd choice for this 3 Blu ray set, is James Mangold’s COP LAND (1997), which Stallone himself described as a more thoughtful film than he had been known for when he hosted SNL to promote the film’s release. It is, but despite its amazing cast, including Harvey Keitel, Robert De Niro, Ray Liotta, Janeane Garofalo, Michael Rapaport, Robert Patrick, Peter Berg, Arthur Nascarella, and John Spencer, and cool premise (the town of Garrison, New Jersey is run by corrupt New York City cops who reside there), the movie isn’t fleshed out enough to really make an impact, and it comes off like second hand Scorsese.

Still, it’s one of Stallone’s best roles: Freddy Heflin, the schlubby (he gained a gut for this part) good guy Sheriff of Garrison, who’s pushed around by just about everybody, as he pines for Annabella Sciorra (married to one of the corrupt cops). I love that the guy falls asleep drunk on his beat up couch listening to Springsteen’s “The River.” For once, Stallone pulls off a performance of pained powerlessness with none of his trademark alpha-male-isms. It’s also cool to see De Niro and Keitel sparring in their last film together, along with almost every Sopranos bit player you can think of on the sidelines. Plus it has a great well paced bloody ending, so, hmm, maybe I'm selling this one short.

Special Features: Commentary with Stallone, Patrick, Mangold, and producer Cathy Konrad, a 15 minute featurette (“Cop Land: The Making of an Urban Western”), and deleted scenes.

Lastly, there’s John Flynn’s 1989 prison thriller, LOCK UP, which puts Stallone behind bars under the evil eye of Warden Donald Sutherland. This is the cheesiest of the Stallone offerings in this set, with a supremely cheesy score by extremely cheesy film composer Bill Conti. A skinny Tom Sizemore (it was his 3rd film) is on hand for comic relief as a fellow inmate, and Sutherland (mostly spending his role looking menacing out the window) has a great hammy speech (“This is Hell, and I’m going to give you the guided tour”), but this is a by-the-numbers rundown of prison movie clichés, that wears out its welcome really fast.

Special Features: Only a 6 minute “making of” featurette, the theatrical trailer, and a lame Stallone profile, but that’s just as well.

Okay! I think I’ve had as much as I can take of “The Itallian Stallion” for now.

More later…

Sylvester Stallone & His All Star Band!

THE EXPENDABLES (Dir. Sylvester Stallone, 2010)



This is the definition of a critic proof movie – as its rating on the Rotten Tomatometer rapidly falls (in a week it fell from 58% to 39%) its box office rises - its been #1 since it opened with a gross nearing $70 million so far.

Apparently America wants a big badass blockbuster with a crew of well known action stars. Call it “Monsters of Mediocrity” if you will, but triple threat (actor/writer/director) Sylvester Stallone has assembled a solid B-Team of action movie mavericks including Jason Statham, Jet Li, Terry Crews, Randy Couture, and Dolph Lundgren.

You’d be forgiven for thinking that from the trailer that Bruce Willis and Arnold Schwarzenegger are on the mission too, but they only appear in one scene that tries, but fails to make much of a punch.

That could be said of the whole movie with its generic let’s-overthrow-a-corrupt-Latin American-dictator premise, but there is some fun to be had with this ‘80s throwback even if it oddly has too much downtime.

Mickey Rourke has a longer appearance than Willis and Schwarzenegger, but it’s still another glorified cameo as he never leaves his tattoo parlor. Rourke has one of the only serious dramatic moments telling a story about a woman that he failed to save from suicide that brings tears to his eyes. In a movie like this I really didn’t expect to see Rourke cry.

It’s mainly Stallone and Stratham’s show as they spend the largest amount of screen time getting each others backs in fights and shoot outs. The ending is a giant shit-storm of machine gun fire and explosions on top of explosions as expected. It’s played out in a lot of darkness and hyper cutting that makes it hard to follow, but if you like a lot of fiery explosions it should make your day.

Oh, there’s also Giselle Itié as the underwritten damsel in distress (What - An underwritten woman role in a Stallone action flick?) fighting for her poverty stricken people, her angry General father played by David Zayas (Angel Batista on Dexter), and Eric Roberts as an evil ex-CIA man agent backing the dictatorship.

THE EXPENDABLES is undercooked and overblown at the same time, but its core audience doesn’t appear to care. I shouldn’t either because this kind of mindlessness really shouldn’t be minded.

More later...