Showing posts with label Meat Loaf. Show all posts
Showing posts with label Meat Loaf. Show all posts

Monday, January 31, 2022

When A Celebrity Dies, Social Media Thrives

Celebrities used to die in threes, now they seem to die daily. That means that much of one’s time on social media is regularly spent reacting or simply observing the activity surrounding a famous fallen figure. In the days that follow, a consensus processing of the star’s demise can be witnessed. Here is the procedure presented day-by-day. You just may see yourself in it. 

Day 1: The celebrity’s death is a global event. Tons of people make R.I.P. posts on Facebook, Twitter, and every other social media platform. Some offer stories of loving the dearly departed’s work since childhood, others post YouTube clips, there are remembrances from folks who met them in person, memes, and photos galore. It all feels heartfelt, sincere, and we all seem to be on the same page about how this artist’s achievements made this a better world.

 

Day 2: The backlash. We wake up to posts by people who aren’t fans, who want to point out bad things the artist did, and tell us that the star wasn’t who you thought they were. Maybe the artist cheated on or was violent to their partner, or maybe their art was racist or sexist or offensive in some manner; whatever it is, internet posters want their objections to the previous day’s adulation heard.


Day 3: A mixture of the last two day’s sentiments. Though the posts about the famous deceased are less frequent, they still randomly appear as there are some people who didn’t hear about it until a considerable time after the fact, and are catching up. 

 

Day 4: The global event winds down. There still are tribute posts, but most people have moved on. Now, this applies mainly to A-listers, B and C-listers have a shorter online mourning period. Major stars like David Bowie, Carrie Fisher, Tom Petty, Prince, etc. are still getting tribute posts – hell, I just saw someone post likewise about George Harrison and he’s been dead since 2001.

 

The one thing that can quicken the life of this cycle is if some other beloved celebrity passes not long after the original famous person passed. Example: A week ago, trash rocker Meat Loaf died. Less than a day later, comedian Louie Anderson died. That means that there were people who were mourning overtime.

 

While writing this, I find out that Howard Hesseman just died. So, of course, folks are posting pictures and clips mostly of his iconic character, Dr. Johnny Fever from WKRP in Cincinnati. That’s what I did. Sadly, as much as I love the guy, he’s largely known to people of a certain age who watched him on TV 40 years ago so he’s not A-list, and his homage will be short lived. In a day or two, Hesseman’s demise will be put aside for the social media homage to the next famous fallen figure, and the cycle will restart.

 

I’ll end now with a picture of Dr. Johnny Fever that I drew 40 years ago. I think I was trying to capture him one of his greatest moments, his “Give it to me straight, Doctor, I can take it!!!” declaration from the show’s pilot.

 


More later...

Tuesday, February 27, 2007

DVD Review: TENACIOUS D IN THE PICK OF DESTINY


Out today on DVD:

TENACIOUS D IN THE PICK OF DESTINY 
(Dir. Liam Lynch, 2006)


A friend of mine years ago (I believe upon the release of their first full length self titled album in 2001) said that he had determined that Tenacious D is funny "for about 11 minutes."

Certainly the case here the first 11 minutes including a mini rock opera in which Jables (Jack Black) escapes the rule of his oppressive father (Meat Loaf singing for the first time on film since ROCKY HORROR PICTURE SHOW), and journeys to Hollywood to chase his musical dreams is pretty funny. 

After that we pretty much go through the movie motions with material that was better covered in their short sketch-films that aired in the late '90s on HBO - indifferent open mic-night crowds, Sasquatch, the devotion of their only fan Lee (Jason Reed), and a never ending slew of bombastic though acoustic mock anthems.

Almost immediately after getting off the bus in L.A., Black meets Kyle Gass a long haired street musician with similar delusions of rock-star grandeur whom Black mistakes for a guitar God.

After being beaten up by the droogs from A CLOCKWORK ORANGE (played by a few of the Mr. Show guys - yep, it's that kind of movie) on his first night in town Black is taken under Gass's wing to be schooled in the ways of rock. 

Gass's cover story of previous rock glory that Black worships at the altar at is soon blown and the narrative becomes a quest involving a sacred guitar pick made from one of Satan's teeth.

The stoner slacker road-trip comedy genre is pretty cashed and so are the modern comedy conventions - obligatory supposedly surprise cameos (Ben Stiller, Tim Robbins, Dave Grohl as Satan), scatological gross-out humor, and even a car chase just for the sake of having a car chase proven by the soundtrack song "Car Chase City" blaring along. 


There will be hardcore fans of "the D" (as their fans call them) that will consider this a crude comic masterpiece that will become a cult classic in years to come but for the rest of us this is just a mediocre mix of BILL AND TED'S EXCELLENT ADVENTURE and THIS IS SPINAL TAP. So as Spinal Tap lead guitarist Nigel Tufnel might say on the how-many-laughs meter this "goes to eleven."

Special Features: 14 deleted/extended scenes, plus alternate endings and outtakes, The Making of The Pick of Destiny, In the Studio segment, Music video, The making of the music video, "Jump to a song" feature and trailers.

More later...