Showing posts with label All Is Lost. Show all posts
Showing posts with label All Is Lost. Show all posts

Tuesday, February 11, 2014

New Releases On Blu Ray & DVD: 2/11/14


The biggest new release on home video this week has to be Gavin Hood’s ENDER’S GAME, last year's adaptation of Orson Scott Card’s hugely popular sci-fi novel from the mid ‘80s, which is out today in 2-disc Blu ray or 1-disc DVD editions. I enjoyed the film when I saw it last November (my review: ENDER’S Big Screen Video GAME, 11/4/13), but honestly I haven’t thought much about it since then. 

The film, which stars Asa Butterfield as a young fighter pilot in training with a stellar cast including Harrison Ford, Hailee Steinfeld, Viola Davis, and Ben Kingsley, is packaged on Blu ray and DVD with two commentaries (one with Director Hood, the other with Producers Gigi Pritzker and Roberto Orci), a collection of eight featurettes that make up a 49-minute “Making Of” documentary, over 10 minute of Deleted/Extended Scenes, “Inside the Mind Games” (a 4 minute look into the movie’s motion capture techniques), and theatrical trailers.

Also out today is the movie that many thought Robert Redford was sure to get a Best Actor Oscar Nomination for: J.C. Chandor’s ALL IS LOST, now available in both 1-disc Blu ray and DVD versions. Redford alone owns the screen in this tension-filled tale of a man stranded at sea, as I noted in my review last year (ALL IS LOST: The Film Babble Blog Review, 11/8/13). Special Features include Filmmaker Commentary with Chandor, “Preparing for the Storm” Featurette, “Big Film, Small Film” Featurette, 3 vignettes (“The Story,” “The Filmmaker: J.C. Chandor,” and “The Actor: Robert Redford”), and “The Sound of ALL IS LOST” Featurette. This bonus material is good ‘n all, but I really wish Redford had done a commentary. I mean, his character barely speaks in the film so it would be nice to hear him take us through what he went through making the film. Oh well.

A movie that I missed in its theatrical run, but am very curious about because a friend (Kevin Brewer of postmodcast) chose it as his favorite film of 2013, also releases today: Ridley Scott’s THE COUNSELOR. The Cormac McCarthy-scripted thriller, available in 2-disc Blu ray or 1-disc DVD editions, stars Michale Fassbender as a lawyer who gets caught up in the crazy world of drug trafficking along with Brad Pitt, Goran Visnjic, Cameron Diaz, Penélope Cruz, and Javier Bardem. The R-rated theatrical cut is joined by such Special Features as The Unrated Extended Version (21 minutes longer!), and the featurettes “Truth of the Situation” and “Virals.” Again, I’ve got to check this one out.

Kevin McDonald’s (THE LAST KING OF SCOTLAND, STATE OF PLAY, MARLEY) latest film, HOW I LIVE NOW, drops today in both single disc Blu ray and DVD editions. Based on the popular young adult novel by Meg Rosoff, the British drama stars Saoirse Ronan as an American teen sent from New York to live with her cousins in England as a war appears to be breaking out with terrorist attacks on London. Ronan has the unfortunate factor of looking and sounding like Lindsay Lohan at times, but her invested performance strongly carries the film even through overly artsy sex and dream sequences. Special Features: Interviews (with Cast, Director, and Author), Behind the Scenes Comparisons, Deleted Scenes, “Making Of” featurette, and AXS TV: A Look at HOW I LIVE NOW, and the Theatrical Trailer.

“We sang a fun song in a church,” Masha Alekhina of the Russian punk rock protest group Pussy Riot told Stephen Colbert on The Colbert Report last week in answer to the question “what did you do that got you arrested?” Folks wanting more context should check out Mike Lerner and Maxim Pozdorovkin’s 2013 documentary PUSSY RIOT: A PUNK PRAYER releasing today on DVD. Though the footage is fascinating, the film, which I first saw at the Full Frame Documentary Film Festival last April, could be better structured, but it’s still a worthwhile watch. Bonus Features are spare, only a Skype Q & A with Pussy Riot’s Katya Samutsevich and the trailer.

Other notable films releasing today on home video: Nick Ryan’s K2 climbing documentary THE SUMMIT, Oliver Hirschbiegel’s little seen biopic DIANA starring Naomi Watts as Princess Di, Jared Hess’ AUSTENLAND starring Keri Russell, Malcolm D. Lee’s THE BEST MAN HOLIDAY starring Monica Calhoun and Morris Chestnut, Brad J. Silverman’s Christian music drama GRACE UNPLUGGED, Bryan Fogel’s Jewish rom com JEWTOPIA, and Nicolas Aaron Mezzanatto’s Navy SEALS action flick SEAL PATROL

TV series sets out today: Sherlock Season Three, Newhart: Season Two, Dallas: The Complete Second Season (Larry Hagman’s last), The Americans: Season One, Red Skeleton Show – The Lost Episodes, and the 15th Anniversary Edition of Farscape: Season 2
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More later...

Friday, November 08, 2013

ALL IS LOST: the Film Babble Blog Review


Now playing at an indie art house near you:

ALL IS LOST (Dir. J.C. Chandor, 2013)


After his last few preachy pleas for relevancy (LIONS FOR LAMBS and THE COMPANY YOU KEEP, which he both produced and directed), Robert Redford has redeemed himself with his role as a man stranded at sea in ALL IS LOST, J.C. Chandor’s follow-up to his directorial debut MARGIN CALL.

Set, as titles tell us, “170 nautical miles from the Sumatra straits” over eight days, the film starts with Redford being awakened on his yacht by water gushing into his cabin. While he was sleeping, his boat had hit a large stray shipping container floating in the Indian Ocean.

Things don't look that bleak at first, as Redford patches up the hole, and bails out the water, but a violent storm that's soon approaching ensures that his boat is in big danger.

Apart from an opening monologue via voice-over concerning last regrets and apologies, we barely hear Redford speak, and we don't get any back story about his character or get any idea where he's going or why. All we can deduce is that he's a smart resourceful guy, who's wealthy enough to own an expensive yacht.

But despite still having a lot of fight left in him, the 77-year old can't seem to get a break as whenever he thinks he's found some breathing space, a few moments of safety, another life threatening predicament rears its head.

It's a very sad scene indeed when his boat completely sinks and our protagonist, who's only credited as “Our Man,” moves to an inflatable raft, with only a few cans of food, some potable water, and several flares to get him by.

Redford is able to head his raft to the shipping lanes, but he finds that it's extremely difficult to get seen by the large passing cargo ships, even when firing off flares. 

Desperate, defeated, sun burned, broken down, and surrounded by sharks, Redford doesn't just drop an f-bomb at one of his lowest moments; he launches it into the heavens, cursing all creation for what looks like will be his ultimate doom.

ALL IS LOST feels longer than its 106 minute running time, but I mean that in a good way, as it's a riveting journey that never drags as it takes us intensely step-by-step through Redford's worsening situation, and wrings every bit of emotion possible out of it.

The ocean here, starkly shot by cinematographers Frank G. De Marco and Peter Zuccarini, is as vast and scary as outer space is in GRAVITY, another 2013 tale of survival under extreme circumstances that shares similar levels of stressful scariness.

In this spare yet engrossing as Hell story, Redford gets off of his Sundance soap box ass, and reminds us how committed and vital an actor he still is.

More later...