(Dir. Christopher McQuarrie, 2018)
These movies are getting better and better. It’s true, the sixth installment of the 22-year old series based on an over 50-year old TV show is the best one yet.
It starts with a stellar pre-opening credits sequence largely set in Berlin in which Ethan Hunt (a 56-year old Tom Cruise, looking like he’s 40), and his returning IMF (Impossible Missions Force) crew made of Benji (Simon Pegg) and Luther (Ving Rhames) attempt to retrieve three plutonium cores from a terrorist group called the Apostles (an offshoot of the Syndicate from the previous M:I film, ROGUE NATION).
They fail to get the plutonium, but were able to capture weapons expert Soloman Lane (Sean Harris, reprising his role from RN), and, joined by Henry Cavill as a CIA operative, travel to Paris to again try to capture the plutonium from the Apostles.
Of course, right away, we (or I) suspect Cavill’s character to be John Lark, the leader of the Apostles as his identity is unknown, but he tells CIA Director Erica Sloane (Angela Bassett) that he thinks Hunt has turned and he is Lark. Now, this is quite a leap for us to buy that the protagonist of a six entry series has now become the bad guy, but it’s a plot point that works and leads to something the franchise does best – a satisfying fake-out.
IMF Director Alan Hunley (the also returning from RN) Alec Baldwin, gets out of the office and into the field with the team for the Paris mission which involves Hunt in a killer motorcycle and car chase around the Arc de Triomphe.
The action moves to London where a rooftop foot chase (always got to have one of those), in which Hunt is shown a picture of his wife (Michelle Monaghan) and told that her life is threatened.
Then we move on to Kashmir (globetrotting!) where Hunt and his team, along with the also returning Rebecca Ferguson as former MI6 agent Isla Faust, try to de-activate the bombs before they kill billions of people. This involves an incredible helicopter chase in which Hunt fights to get the detonator from the bad guys.
Sure, there are contrivances – the goons always being bad shots in the shoot-outs, and a 15-minute countdown taking a lot longer than 15 minutes among them – but the stakes feel real, and the rush of the spectacle after spectacle is constantly exhilarating.
For sure the best sequel of our current sequel cluttered climate, MISSION IMPOSSIBLE: FALLOUT is a cleverly constructed action thriller with a great gritty look, a sharp screenplay, lots of well placed humor, and a bunch of mesmerizing moments that make it more engaging and entertaining than any other action thriller in recent memory.
Writer/Director McQuarrie, the only director who has made two M:I movies, is getting to be a old hand at making movies with Cruise (he previously directed the actor in JACK REACHER and MI:RN, and wrote the screenplays for VALKRIE, EDGE OF TOMORROW, and THE MUMMY), and this time he really pulls out the stops.
Cruise, again doing many of his own stunts, once more excels as Hunt, who while mostly confident shows believable fear and worry when in the middle of all the effectively dangerous feeling activity. You could say he puts in a performance that's fearlessly fearful.
I’m not sure when Cruise will be considered too old to be doing these movies (he’s almost the age Roger Moore was in his last 007 adventure, A VIEW TO A KILL *), but it doesn’t seem like it’ll be anytime soon.
*Moore was 57, and later said that he was four hundred years too old for the part.
Cruise, again doing many of his own stunts, once more excels as Hunt, who while mostly confident shows believable fear and worry when in the middle of all the effectively dangerous feeling activity. You could say he puts in a performance that's fearlessly fearful.
I’m not sure when Cruise will be considered too old to be doing these movies (he’s almost the age Roger Moore was in his last 007 adventure, A VIEW TO A KILL *), but it doesn’t seem like it’ll be anytime soon.
*Moore was 57, and later said that he was four hundred years too old for the part.
More later...
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