SPIDER-MAN: HOMECOMING
(Jon Watts, 2017)
So I guess we’re supposed to pretend that those two Andrew Garfield AMAZING SPIDER-MAN movies never happened, right? Well, with this shiny new reboot that establishes the character as a player in the MCU (Marvel Cinematic Universe) that’s incredibly easy to do.
We were introduced to the new web-slinging kid, Tom Holland, in the superhero-studded CAPTAIN AMERICA: CIVIL WAR last summer, and this film recounts that event from a different perspective via Peter Parker’s video diary of the event.
So we get to see just how Tony Stark (Robert Downey Jr. in his eighth appearance as IRON MAN) got Peter to Leipzig/Halle Airport in Germany, outfitted him in a cool new suit, and put him in place to steal Captain America’s shield at just the right moment.
But Tony doesn’t think that Peter is ready to be an Avenger yet, but our boy can’t wait to prove himself. He constantly calls Tony’s driver/bodyguard Happy (Jon Favreau in his fourth film in the part), hoping that he can get in on some world-saving action but to no avail.
Meanwhile, the film’s villain, Adrian Toomes (Michael Keaton) is building weaponary, including a mechanized flight suit that turns him into The Vulture (a character that dates back to 1963), out of the ruins of the alien tech from the attack on New York in the first AVENGERS movie.
Peter/Spidey comes across Toomes’ men robbing an ATM (all wearing Avengers masks) and in a gripping fight scene he is able to take them out, that is, until they start battling him with their alien laser gear. Despite this occurrence, Peter still can’t get Happy to return his calls so he sets off on his own to stop the Vulture’s evil doings.
Now that’s the superhero stuff, but there’s another movie here – a teen coming-of-age high school rom com in which Peter falls for one of his classmates, M.J. (Zendaya), and pals around with his best friend Ned (Jacob Batalon), who finds out his secret identity early on.
These genres smoothly intertwine with a lot of thrills and laughs throughout, and a some stellar action sequences including a Washington Monument set-piece that’s up there with the best scenes from the Sam Raimi/Tobey Maguire SPIDER-MAN movies from well over a decade ago. This is indeed the best movie featuring the iconic comic book legend since 2004’s SPIDER-MAN 2, and maybe the funniest MCU movie since ANT-MAN.
Holland makes a likably angsty mark as Peter/Spidey, carrying the movie through both its high octane spectacle and its adolescent hi jinks with relatable charm. Keaton chews through scenery with a fever that will make you forget BATMAN and BIRDMAN (well, actually it’s hard not to think of BIRDMAN as the costume looks like a metal version of his attire in that excellent Oscar-winner).
As much as he brings star power and his patented charm to the project, I’m not sure it was really necessary to have Downey Jr.’s IRON MAN around for this film, but as there’s no Uncle Ben, it seems the kid does need a mentor/father figure around and Tony fulfills that role fine. I was hoping for more of Tony flirting with Peter’s Aunt May (Marissa Tomei), who seems to have been cast to make the character a MILF.
It's also kind of funny to see Donald Glover in a small part as a criminal involved with Toomes as he was once rumored to take on the role of Spidey himself at one point.
We were introduced to the new web-slinging kid, Tom Holland, in the superhero-studded CAPTAIN AMERICA: CIVIL WAR last summer, and this film recounts that event from a different perspective via Peter Parker’s video diary of the event.
So we get to see just how Tony Stark (Robert Downey Jr. in his eighth appearance as IRON MAN) got Peter to Leipzig/Halle Airport in Germany, outfitted him in a cool new suit, and put him in place to steal Captain America’s shield at just the right moment.
But Tony doesn’t think that Peter is ready to be an Avenger yet, but our boy can’t wait to prove himself. He constantly calls Tony’s driver/bodyguard Happy (Jon Favreau in his fourth film in the part), hoping that he can get in on some world-saving action but to no avail.
Meanwhile, the film’s villain, Adrian Toomes (Michael Keaton) is building weaponary, including a mechanized flight suit that turns him into The Vulture (a character that dates back to 1963), out of the ruins of the alien tech from the attack on New York in the first AVENGERS movie.
Peter/Spidey comes across Toomes’ men robbing an ATM (all wearing Avengers masks) and in a gripping fight scene he is able to take them out, that is, until they start battling him with their alien laser gear. Despite this occurrence, Peter still can’t get Happy to return his calls so he sets off on his own to stop the Vulture’s evil doings.
Now that’s the superhero stuff, but there’s another movie here – a teen coming-of-age high school rom com in which Peter falls for one of his classmates, M.J. (Zendaya), and pals around with his best friend Ned (Jacob Batalon), who finds out his secret identity early on.
These genres smoothly intertwine with a lot of thrills and laughs throughout, and a some stellar action sequences including a Washington Monument set-piece that’s up there with the best scenes from the Sam Raimi/Tobey Maguire SPIDER-MAN movies from well over a decade ago. This is indeed the best movie featuring the iconic comic book legend since 2004’s SPIDER-MAN 2, and maybe the funniest MCU movie since ANT-MAN.
Holland makes a likably angsty mark as Peter/Spidey, carrying the movie through both its high octane spectacle and its adolescent hi jinks with relatable charm. Keaton chews through scenery with a fever that will make you forget BATMAN and BIRDMAN (well, actually it’s hard not to think of BIRDMAN as the costume looks like a metal version of his attire in that excellent Oscar-winner).
As much as he brings star power and his patented charm to the project, I’m not sure it was really necessary to have Downey Jr.’s IRON MAN around for this film, but as there’s no Uncle Ben, it seems the kid does need a mentor/father figure around and Tony fulfills that role fine. I was hoping for more of Tony flirting with Peter’s Aunt May (Marissa Tomei), who seems to have been cast to make the character a MILF.
It's also kind of funny to see Donald Glover in a small part as a criminal involved with Toomes as he was once rumored to take on the role of Spidey himself at one point.
Director Watts, whose third film this is after CLOWN and the Kevin Bacon thriller COP CAR keeps the pacing from dragging, working from a screenplay he co-wrote with a veritable committee made up of Jonathan Goldstein, John Francis Daley (Sam from Freaks and Geeks!), Jon Watts, Christopher Ford, Chris McKenna, and Erik Sommers.
SPIDER-MAN: HOMECOMING won’t win over folks who hate superhero movies (or can't stand tons of CGI, no matter how flawless it is), but fans of the genre will eat it up. It’s a fun, and very funny piece of pure escapism that lovingly re-ignites the exciting spark that was missing from the last few entries, which, I’m sorry, I meant not to mention again.
SPIDER-MAN: HOMECOMING won’t win over folks who hate superhero movies (or can't stand tons of CGI, no matter how flawless it is), but fans of the genre will eat it up. It’s a fun, and very funny piece of pure escapism that lovingly re-ignites the exciting spark that was missing from the last few entries, which, I’m sorry, I meant not to mention again.
Now that Sony, Marvel Studios and Disney are in bed together for this new run of Holland-starring SPIDER-MAN movies (including sequels and appearances in the AVENGERS series), it’s great to see that they’ve successfully brought it all back home.
As usual - stay for the after credits stinger (one of the funniest so far), and look out for the Stan Lee cameo - as for the other MCU callbacks, you are on your own.
As usual - stay for the after credits stinger (one of the funniest so far), and look out for the Stan Lee cameo - as for the other MCU callbacks, you are on your own.
More later...
nice one i love your blog
ReplyDeleteI said same about Iron man presence. Found few other pros and cons.
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