Friday, February 28, 2014
Liam Neeson Airplane Thriller NON-STOP Never Starts To Get Very Suspenseful
Opening today at a multiplex near you:
NON-STOP (Dir. Jaume Collet-Serra, 2014)
For a film called NON-STOP, this new Liam Neeson airplane-set thriller starts slowly, and then has many rough draggy patches.
Continuing his recent career transformation into an aging action hero, Neeson stars here as an alcoholic air marshal on a transatlantic flight from New York City to London, who gets an anonymous text from somebody on board saying that unless $150 million is transferred into a secured account, they're "going to kill someone on this plane every 20 minutes."
Despite having hit the bottle before the flight, Neeson does what he can to take control of the situation. Our gruff protagonist first suspects the other air marshal on board (Anson Mount), but it turns out he's being blackmailed by the same mysterious texter for smuggling cocaine, and a violent scuffle in the men's room results in the film's first casuality - right at the 20 minute mark.
The gruff sweaty Neeson tries to keep this on the down low, but everyone around him, including Julianne Moore as a concerned seat-mate, and Downton Abbey's Michelle Dockery as a nervous flight attendant, know something horribly wrong is going on.
Lupita Nyong'o, who I predict will be taking home the gold Sunday night for her Supporting performance in 12 YEARS A SLAVE, has a really wasted part playing another flight attendant - I can't remember any significance she has to anything.
To lay out all the misleads and convolutions in John W. Richardson and Christopher Roach's screenplay would be pointless, but I will recount that when it's revealed that it's Neeson's account that the money is going to go to, everybody thinks he's the real terrorist hijacker behind this murderous mid-air mayhem at 30,000 feet.
But instead of tension being mounted, its layers of stupidity piling up - especially when it comes to Neeson breaking down in a big confession to the entire plane's population (and the world via passenger's cellphones) about how fucked up he is. This bit highly resembles the "Oscar Clip" parody that WAYNE'S WORLD did over 20 years ago.
NON-STOP is not without style - it borrows from House of Cards the aesthetic of how texts pop up on screen in neat bubbles (it also borrows Corey Stoll from that popular Netflix show's first season to play an angry passenger), and cinematographer Flavio Martínez Labiano's frantic camera placement makes use of the claustrophobic space, but none of the strained stress it attempts to amplify add up to any genuine suspense.
But, hey, at least it's not TAKEN 3, right?
More later...
Labels:
House of Cards,
Jaume Collet-Serra,
Julianne Moore,
Liam Neeson,
Non-Stop,
Taken
Thursday, February 27, 2014
Hey Kids! Funtime 2014 Oscar Picks!
It's that time of year again, time for me to post my predictions for the Oscars, which will air on ABC this Sunday night. I'm glad to see that the 86th Academy Awards Ceremony will be hosted by Ellen DeGeneres because she was very funny when she first helmed the show back in 2007.
I thought that last year's Oscar winners were one of the hardest rosters to predict in history, but I actually scored 18 out of 24 right. I seriously doubt I'll get as good or better this go around, but I'm still gonna give it the ole college try.
Oh yeah, I'll be live-tweeting the Oscars too: follow @filmbabble.
I thought that last year's Oscar winners were one of the hardest rosters to predict in history, but I actually scored 18 out of 24 right. I seriously doubt I'll get as good or better this go around, but I'm still gonna give it the ole college try.
Oh yeah, I'll be live-tweeting the Oscars too: follow @filmbabble.
1. BEST PICTURE: 12 YEARS A SLAVE
I thought this was a shoo-in when I saw it last fall, but then AMERICAN HUSTLE started gaining major momentum as an awards season favorite. GRAVITY has a lot of pull too, but I'm sticking with Steve McQueen's powerful historical drama. It just seems to have Best Picture written all over it.
2. BEST DIRECTOR: Alfonso Cuarón for GRAVITY
3. BEST ACTOR: Matthew McConaughey for DALLAS BUYER'S CLUB
4. BEST ACTRESS: Cate Blanchett for BLUE JASMINE
5. BEST SUPPORTING ACTOR: Jared Leto for DALLAS BUYER'S CLUB
I almost want to pick a wild card - say, Jonah Hill for THE WOLF OF WALL STREET - because there's often a surprise in one of the Supporting categories, but I'm still going with Leto.
6. BEST SUPPORTING ACTRESS: Lupita Nyong’o for 12 YEARS A SLAVE (Wild card: June Squibb for NEBRASKA)
And the rest:
7. PRODUCTION DESIGN: THE GREAT GATSBY
6. BEST SUPPORTING ACTRESS: Lupita Nyong’o for 12 YEARS A SLAVE (Wild card: June Squibb for NEBRASKA)
And the rest:
7. PRODUCTION DESIGN: THE GREAT GATSBY
8. CINEMATOGRAPHY: GRAVITY
9. COSTUME DESIGN: AMERICAN HUSTLE
10. DOCUMENTARY FEATURE: THE ACT OF KILLING
11. DOCUMENTARY SHORT: THE LADY IN NUMBER 6
12. FILM EDITING: GRAVITY
13. MAKEUP: DALLAS BUYER'S CLUB
14. VISUAL EFFECTS: GRAVITY
15. ORIGINAL SCORE: GRAVITY
16. ORIGINAL SONG: “Let it Go” from FROZEN
17. ANIMATED SHORT: MR. HUBLOT
18. LIVE ACTION SHORT: THAT WASN'T ME
19. SOUND EDITING: GRAVITY
20. SOUND MIXING: GRAVITY
21. ORIGINAL SCREENPLAY: HER
22. ADAPTED SCREENPLAY: 12 YEARS A SLAVE
23. ANIMATED FEATURE FILM: FROZEN
24. BEST FOREIGN FILM: THE GREAT BEAUTY
Okay, so as you can see - when I was in doubt on a technical award, I just went with GRAVITY.
As usual, stay tuned to see how many I get wrong.
More later...
Tuesday, February 25, 2014
New Releases On Blu Ray & DVD: 2/25/14
In case you need to catch up with the Oscar nominated movies before the big broadcast of the 86th Annual Academy Awards this coming Sunday (my predictions will be posted this Friday), you’re in luck today as two of the Best Picture nominees release today on home video. First up, there’s Alfonso Cuarón’s GRAVITY, which is nominated for 10 Oscars, available this week in 3-disc Blu-ray, and 2-disc DVD editions. The extremely entertaining film, which concerns two A-list stars (Sandra Bullock and George Clooney) as astronauts stranded in space, comes packaged with such Special Features as a 107 minute documentary (longer than the film!) “GRAVITY: Mission Control,” 37 minutes of Shot Breakdowns, “Aningaaq: A Short Film by Jonás Cuarón” (10 minutes), and a 22 minute mini-doc narrated by Ed Harris entitled “Collision Point: The Race to Clean Up Space.”The second release competing for the big award is Alexander Payne’ s NEBRASKA, which is also up for Best Actor (Bruce Dern) and Best Supporting Actor (June Squibb) Oscars. It drops today on Blu ray and DVD, but both only have one bonus feature: an almost half an hour “making of” documentary. Though I doubt it’ll win any Oscars (Squibb could be an upsetter – you never know), it’s a fine film that deserves to be seen by a lot more film loving folks. Read my review here.
Nominated for no Oscars (for good reason), Alan Taylor’s THOR: THE DARK WORLD, which I called a Marvel Mess Of A Sorry Super Hero Sequel on this very blog last November, is also out today on Blu ray and DVD. It comes with many Special Features including a 14-minute short “Marvel One Shot: All Hail the King” by IRON MAN 3 co-writer Drew Pearce featuring Ben Kingsley, Commentary (with Director Taylor, cinematographer Kramer Morgenthau, producer and Marvel Studios president Kevin Feige, and Tom Hiddleston), 32-minute Marvel Cinematic Universe documentary “A Brother's Journey: Thor & Loki,” 8 minutes of Deleted & Extended Scenes, Scoring Thor: The Dark World with Brian Tyler, (5 minutes), CAPTAIN AMERICA: THE WINTER SOLDIER Exclusive Look (4 minutes), and a Gag Reel (also 4 minutes).
Oscar nominee Jared Leto (Best Supporting for DALLAS BUYER’S CLUB) stars in Jaco Van Dormael’s epically weird MR. NOBODY, a 2009 sci-fi drama making its first U.S. appearance on Blu ray and DVD today. It’s a visually stunning film that blends elements of DONNIE DARKO and INCEPTION with Philip K. Dick-style invention that resembles a one-character CLOUD ATLAS at times, but it’s a long exhausting watch (the Blu ray features 2 versions – the 139 minute theatrical release and the 157 minute Director’s Cut). A terrific Leto stars as the title character, Nemo Nobody, who as an 118-year old man looks back at his life (or alternate lives), involving a cast including Sarah Polley, Rhys Ifans, and Juno Temple. Special Features: “The Making of MR. NOBODY” (45 min), Deleted Scenes 97 min), “AXS TV: A Look at How I Live Now,” and the trailer.
Greg ‘Freddy’ Camalier’s excellent documentary MUSCLE SHOALS, which I saw last year at the Full Frame Documentary Film Festival is also available this week. As I wrote back then, “The legendary ‘Muscle Shoals Sound’ gets its doc due in this rock, rhythm, and soul packed film that tells the story of two studios in the small Alabama town and the iconic artists who recorded there.” Special Features: Additional Scenes and interviews, 2 commentary tracks (one with Director Camalier; the other with Rick Hall, Jimmy Johnson, David Hood, and Spooner Oldham), and the trailer.
The Criterion Collection has a bunch of choice titles debuting on Blu ray this week: Abdellatif Kechiche's 2013 lesbian love story BLUE IS THE WARMEST COLOR, Steven Soderbergh's Depression-era drama KING OF THE HILL, Jean Luc-Godard's 1960 French New Wave classic BREATHLESS, and Roman Polanski's 1979 Oscar winner TESS (it won for Best Cinematography, Art Direction, and Costume Design). Note: BLUE IS THE WARMEST COLOR and KING OF THE HILL are available streaming on Netflix Instant.
The final new release I'm highlighting today is Bob Dylan - 30th Anniversary Concert Celebration, a re-mastered re-release of the all-star tribute concert that went down at Madison Square Garden on October 16th, 1992, appearing on Blu ray for the first time in a Deluxe Edition. It's a colossal collection of music including three rock icons who are no longer with us, George Harrison (who would've celebrated his 71st Birthday today), Lou Reed, and Johnny Cash, who join an amazing roster of artists including Stevie Wonder, Tom Petty and the Heartbreakers, Roger McQuinn, Eric Clapton, and Neil Young to perform a showcase of the music of the greatest songwriter ever (imho). The man being honored himself performs a few songs at the end including ensemble versions of “My Back Pages” and “Knockin' on Heaven's Door.” Special Features: 40 minutes of previously unreleased material including behind-the-scenes rehearsal footage, and interviews. This might be the most rewarding release this week.
More later...
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