Sunday, August 08, 2004
The 1998 Mini-Doc INDEPENDENT'S DAY Now Out On DVD
This documentary about the booming world of independent film in the late '90s is currently available on the popular DVD format:
INDEPENDENT'S DAY
(Dir. Marina Zenovich, 1998)
"It's like taking the worst part of LA and the worst part of New York and just jamming it into Park City." - Tressa Von Bargen (Park City Resident)
This fascinating albeit brief (54 min) doc, sporting the subtitle "The Ultimate Insider's Look at the Crazy World of Sundance," gives us an inside glimpse into the fun of film and the stress of competition that goes on in the most notable of American film festivals, Sundance.
Indeed, filmmaker Jay Chandrasekhar laments "everyone I talked to said Sundance is a blast unless you have a film in it."
Unfortunately the lack of background info, and absence of Robert Redford (Sundance founder) make it to be not as intensely deep a documentary as I wanted, but still an intriguing walk through.
Worth watching alone for an amusing set-up sequence involving Parker Posey, this film is begging for a sequel. So much has happened in the years since 1997 in independent film, and in digital video that I hope Zenovich returns to Park City some day with camera in tow.
More later...
Labels:
Independent's Day,
Park City,
Parker Posey,
Robert Redford,
Sundance
Friday, July 23, 2004
20 Over-Used Pop Songs In Modern Movies
Film Babble Blog is back! Not to piss on AFI'S 100 YEARS...100 SONGS - I mean they have a fine list of songs that enhanced many a classic film - but I wanted to draw attention to the tunes that have cheapened many movies.
Not to say these are all bad songs, no, many are classics, it's just how they've been used over and over to manipulate the viewer to a certain mood. As you look it over I think you'll recall not just the movie or song you'll also recall the emotion, era, or spirit they're trying to evoke. So here's:
20 Over-Used Pop Song In Modern Movies
1.“I Got You” - James Brown: It seems to have started with its use in Barry Levinson's Robin Williams vehicle GOOD MORNING VIETNAM. Since then, the JB standard has popped up in such films as WHO'S HARRY CRUMB, WHITE MEN CAN'T JUMP, THE NUTTY PROFESSOR, DOCTOR DOOLITTLE, MY FAVORITE MARTIAN, JULIEN DONKEY BOY, RIDING IN THE CAR WITH BOYS, DODGEBALL, and GARFIELD. Also dozens of TV shows.
2.“Walking On Sunshine” - Katrina & The Waves: I won't list all the times this been to go-to for feel good movie magic, but I'll just say that I can't hear it without thinking of Michael J. Fox maneuvering through a primo '80s montage in SECRET OF MY SUCCESS.
3.“Bad To The Bone” - George Thorogood: Most folks think it was TERMINATOR 2 in 1991, but this song made its film debut in Oliver Stone's TALK RADIO (1988). Since TERMINATOR 2 it's mainly been used ironically (See: PROBLEM CHILD 2, THE PARENT TRAP, 3000 MILES TO GRACELANED, or, rather, don't see them).
3.“Bad To The Bone” - George Thorogood: Most folks think it was TERMINATOR 2 in 1991, but this song made its film debut in Oliver Stone's TALK RADIO (1988). Since TERMINATOR 2 it's mainly been used ironically (See: PROBLEM CHILD 2, THE PARENT TRAP, 3000 MILES TO GRACELANED, or, rather, don't see them).
4. “Born To Be Wild” - Steppenwolf: Way too many to list, but many of the movies obviously pick the track to recall its first and best use in Dennis Hopper's 1969 counter culture classic EASY RIDER. My favorite is when Albert Brooks blares it when driving his RV out of Los Angeles in his hilarious 1985 comedy LOST IN AMERICA. Brooks gives a biker a "thumbs up" and gets flipped the bird in response. Gets a laugh out of me every time.
5. “Over the Rainbow”/”What a Wonderful World” – Various versions of both of these songs have been in countless movies, but the extreme overuse of Israel Kamakawiwo`ole’s medley of them together is getting unbearable. I wish that its last use, in the lame Adam Sandler/Drew Barrymore rom com 50 FIRST DATES, was its last use, but I have a feeling it’ll be around for a long time.
6. “Oh, Yeah” - Yello
7. “Let My Love Open The Door” - Pete Townshend
8. “Suspicious Minds” - Elvis Presley
9. “Melt With You” - Modern English
10. “Let's Get It On” - Marvin Gaye
11. “Time Of The Season” - The Zombies: This is one of many songs on this list that film-makers use to immediately evoke the ‘60's. Notable uses: AWAKENINGS, 1969, AUSTIN POWERS: THE SPY WHO SHAGGED ME, SHANGHAI NIGHTS, and too many more to mention.
12. “All Star” - Smash Mouth: MYSTERY MEN, SHREK, INPECTOR GADGET, CONTACT, and a bunch of other movies utilized this piece of pop culture plastic. Shame really.
13. “Dream Weaver” - Gary Wright: Two of the titles that used or mis-used this tune were DADDY DAY CARE and WAYNE'S WORLD. 'Nuff said.
14. “Staying Alive” - The Bee Gees: Of course, SATURDAY NIGHT FEVER and its sequel (of course called STAYING ALIVE) but also AIRPLANE!, and many other disco-era sequences that came about in the ‘70s resurgence of popularity of the dance music genre in the ‘90s.
15. “Tracks Of My Tears” - Smokey Robinson and the Miracles: PLATOON and THE BIG CHILL are the most notable films but the song also appears on the soundtracks for the TV shows The Wonder Years and ER.
16. “Surrender” - Cheap Trick: Matt Dillon's first film OVER THE EDGE used Cheap Trick, the Cars, and even Little Feat to make it's track housing teen rebellion point. It's use in DETROIT CITY ROCKS and FAST TIMES AT RIDGEMONT HIGH hammers home that same point but its appearance in SMALL SOLDIERS AND DADDY DAY CARE does not.
17. “White Rabbit” - Jefferson Airplane
18. “A Whiter Shade Of Pale” - Procol Harem (EASY RIDER, BIG CHILL, WITHNAIL & I, NEW YORK STORIES, BREAKING THE WAVES)
19. “Spirit in the Sky” - Norman Greenbaum
20. “Sweet Home Alabama” - Lynyrd Skynyrd: When the song title becomes a movie title, like it did two years back for a Resse Witherspoon rom com, it really should be retired. Yep, again I dream.
More later...
Labels:
AFI,
Airplane,
Albert Brooks,
david bowie,
James Brown,
Pete Townshend,
Robin Williams,
Steppenwolf
Monday, July 05, 2004
10 Major Marlon Brando Movie Moments
At the end of last week, the legendary Marlon Brando died of pulmonary fibrosis in a Los Angeles hospital. In tribute here are 10 major moments that feature the method acting icon at his most memorable in the movies:
1. “You don't understand. I coulda had class. I coulda been a contender. I coulda been somebody, instead of a bum, which is what I am, let's face it. It was you, Charley.” - Terry Malloy as written by Elia Kazan. ON THE WATERFRONT (1954)
2. “I never wanted this for you. I work my whole life - I don't apologize - to take care of my family, and I refused to be a fool, dancing on the string held by all those big shots. I don't apologize, that's my life, but I thought that, that when it was your time, that you would be the one to hold the string. Senator Corleone; Governor Corleone. Well, it wasn't enough time, Michael.” - Don Vito Corleone, written by Mario Puzo, in THE GODFATHER (1972).
3. "What're you rebelling against, Johnny?” - Girl “Whaddya got?” - Johnny Strabler, written by John Paxton, in THE WILD ONE (1953).
4. “I have seen the devil in my microscope, and I have chained him.” - Dr. Moreau, written by Richard Stanley (based on H.G.Wells' novel), in THE ISLAND OF DR. MOREAU (1996).
5. “It is forbidden for you to interfere in human destiny” - Jor El written by Mario Puz. SUPERMAN: THE MOVIE (1979).
6. “Hey STELLA!!!! STELLA !!!!” - Stanley Kowalski written by Tennessee Williams in A STREETCAR NAMED DESIRE (1951).
7. “I believe I did what honour dictated and that belief sustains me, except for a slight desire to be dead which I'm sure will pass.” - 1st Lt. Fletcher Christian (Brando) in MUTINY ON THE BOUNTY (1962).
8. “You're an errand boy, sent by grocery clerks, to collect a bill.” - Colonel Walter E. Kurtz written by John Milius and Francis Ford Coppola - APOCALYPSE NOW (1979).
9. “Even if a husband lives 200 hundred fucking years, he'll never discover his wife's true nature. I may be able to understand the secrets of the universe, but... I'll never understand the truth about you. Never.” - Paul in LAST TANGO IN PARIS (1972).
10. “My God! Let me get a look at you. You know, you look like shit. What's your secret?” - Max in THE SCORE (2001).
R.I.P. Marlon Brando (1924-2004)
More later...
More later...
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